Here is a collection of familiar classical music adagios given new interpretations by Windham Hill artists. Although most of the tracks do have synthesizer harmonies and embellishments, there are some that do not. The Brahms Intermezzo contains its own intermezzo in the form of a jazz piano trio improvisation. Edgar Meyer on double bass and Mike Marshall on mandolin perform a nice, straightforward transcription of the Prelude in C sharp minor from Bach's Well-Tempered Clavier, Book 2, with no synthesized embellishments.
Compiled from Mertens's solo and group projects recorded during the early to mid '80s, this Windham Hill collection offers an overview of his textural, multilayered style of minimalist composition.
Essential: A masterpiece of Fusion music collection
In 1985, Windham Hill released A Winter's Solstice, its first collection of non-traditional and traditional seasonal music.
Excellent addition to any Fusion music collection.
Depending on the mood you’re in, this compilation album will make you dream, smile, or cry a nostalgic tear. It is a typical Windham Hill sampler: wistful, joyful, lush, and lovely.
Essential: A masterpiece of Fusion music collection.
Coming at the absolute crest of Windham Hill’s artistic and financial success, this is arguably the album to recommend if you are only to have one Windham Hill album.
Excellent addition to any prog rock music collection.
When the "Disco Music" reigned in the early 80's, many of us, rockers, we were in mourning. But all was not lost!
With this strong, mainly Latin influenced debut, add a chapter on Erquiaga to the book of smooth and breezy, and slightly exotic, smooth jazz guitar. Produced by Andy Narell and featuring Narell's steel pans on one cut and the jamming support of Peter Erskine, Jimmy Johnson, Bob Sheppard, and Mitch Forman, this collection goes down smooth and easy. There are moments of frenetic inspiration, but for the most part, it's more of that nice and easy pop jazz with Latin spice. An impressive debut from an artist we unfortunately didn't hear enough of as the '90s rolled by.
This album dates all the way back to 1984. Despite that, I’ve only just got around to listening to it. It’s a pleasant enough collection of strings and jazz that caused quite a stir back in the day. During the early 1980s, this would have appeared in many stores under the New Age banner. I remember seeing it mentioned in many magazines of the day as an essential album for relaxation and so forth. In many way, it really was a different world back then.