Gergiev's is a Rite of Spring with a difference. He stresses the primitive barbarism of Stravinsky's groundbreaking score–the strange wheezings of the winds, the wild yawps of the tubas, and the deep rumblings of the bass drum. It's a Rite that stands out at a time when so many internationalized western orchestras give the piece an overlay of sophisticated polish that can rob it of the shock factor that drove the audience at the Paris premiere to riot. There are also numerous personal touches that can be controversial, such as the pause before the final chord, which may bother some but which work in the context of the interpretation. Gergiev's Rite faces strong competition from recorded versions by Markevitch, Dorati, Monteux, and Stravinsky himself, but it's definitely among the top choices. The Scriabin's less compelling, though still fascinating. Gergiev's approach tends to sound sectional, as the overall line is subordinated to momentary thrills. –Dan Davis
Among the wave of brass rock groups that embraced the rock world from 68 until 71 or 72, Warm Dust was a late-comer, but quickly became one of the most interesting and progressive group of the genre. The sextet developed a solid psych-laced progressive brass rock, lead by the twin sax players of Alan Solomon (also KB) and John Surguy (also guitar) and featuring future Mike Rutherford and Steve Hackett acolyte Paul Carrack…
Perhaps it isn't surprising that McCartney's grip on the pop charts started to slip with Pipes of Peace, since it was released after his 40th birthday – and most rockers do not mature particularly gracefully. Although it's rather fascinating that the album didn't reach the Top Ten, despite a blockbuster duet with Michael Jackson in "Say Say Say," Pipes of Peace bewilders in other ways, particularly in its allusions to Tug of War…
Essential: a masterpiece of prog rock music
Second album from this English brass rock band, that was a bit the answer to Chicago Transit authority mixed with some Caravan and some Dutch/Holland Solution. Actually it is interesting to note that England had The Greatest Show On Earth, If and Warm Dust (and to a lesser extent Colosseum) to answer to American’s giants of brass rock (which automatically induced a jazz feel without being the typical jazz-rock): Blood Sweat & Tears, Chicago, Electric Flag and The Flock.