Winterreise, the Winter Journey, brings both the performer and the listener to the fundamental questions of humanity and existence. The human and social levels of the work remain pertinent and current. A prize winner of several competitions including the International Mozart Competition in Salzburg, Finnish baritone Arttu Kataja graduated from Sibelius Academy in Helsinki and became a member of the Berlin State Opera in 2006 performing such parts as Conte, Figaro, Guglielmo, Papageno, Marcello, Belcore, Musiklehrer and Besenbinder, to name but a few. Guest engagements have led him to Theater an der Wien, Théâtre du Capitole Toulouse, Teatro Municipal in Santiago de Chile, Staatsoper Hamburg, Deutsche Oper am Rhein, Finnish National Opera and Savonlinna Opera Festival aswell as to Tokyo, Shanghai and Seoul. He is a versatile recitalist and concert singer with repertoire ranging from baroque to contemporary music.
The first few minutes of each of these recordings of Schubert’s overwhelming song cycle hardly seem to belong to the same work. Klaus Mertens , more familiar in sacred music and now in his late fifties, is introduced by a clangorous fortepiano, none too sensitively banged by Tini Mathot, and sounds like an elderly workman off to the day’s slog. Christine Schäfer, who never sounds more than 16, is launched by the perky tones of Eric Schneider, and when she enters it is as a cheerful small bird greeting the sun. Schäfer raises the issue of whether this cycle should be sung by a woman at all, but Lotte Lehmann, Christa Ludwig and above all Brigitte Fassbaender prove that it can be, with magnificent results.
Benjamin Britten and Peter Pears were justly celebrated as outstanding interpreters of both English Song and German Lieder. Both artists are at the peak of their interpretative powers in these two classic BBC films; a studio recital of Britten's arrangements of traditional English folksongs, first broadcast in June 1964, and a specially staged performance of Schubert's great song cycle Winterreise, first seen in November 1970.
Baritone Andrè Schuen began his Deutsche Grammophon career in 2020 with a critically acclaimed reading of Schubert’s Die schöne Müllerin, recorded with his duo partner Daniel Heide. In 2022, the pair added Schwanengesang to their discography, a recording that went on to win the Solo Song category in the 2023 Opus Klassik Awards. Now they complete their trilogy of Schubert’s major song cycles with a thoughtful and moving interpretation of the 24 inward-looking songs that make up the composer’s Winterreise.
Après plusieurs albums chez Naxos au sein de l'édition intégrale des Lieder de Schubert, Wolfgang Holzmair revient à ce compositeur, cette fois chez Capriccio ! Le baryton autrichien présente le Voyage d'Hiver D911, en compagnie du pianiste Andreas Haefliger, auteur notamment de la série "Perspectives" chez Avie Records. Une interprétation opalescente et immaculée, tout simplement incroyable ! Une nouvelle version de référence.