Wolkenstein

  • Item1
  • Item2
  • Item3
The Poems of Oswald von Wolkenstein: An English Translation of the Complete Works (1376 77-1445) (The New Middle Ages)

The Poems of Oswald von Wolkenstein: An English Translation of the Complete Works (1376 77-1445) (The New Middle Ages) By Albrecht Classen
2008 | 268 Pages | ISBN: 0230609856 | PDF | 2 MB
Die Lebenszeugnisse Oswalds von Wolkenstein: Edition und Kommentar. Bd. 2: 1420-1428, Nr. 93-177

Die Lebenszeugnisse Oswalds von Wolkenstein: Edition und Kommentar. Bd. 2: 1420-1428, Nr. 93-177 By Anton Schwob, Karin Kranich-Hofbauer, Ute Monika Schwob, Brigitte Spreitzer (Hrsg.)
2001 | 410 Pages | ISBN: 3205993705 | PDF | 35 MB

Sequentia - Minnesang: Kelin, Fegfeur, Frauenlob, Wolkenstein  Music

Posted by sequentiam at Jan. 21, 2009
Sequentia - Minnesang: Kelin, Fegfeur, Frauenlob, Wolkenstein

Sequentia - Minnesang: Kelin, Fegfeur, Frauenlob, Wolkenstein
FLAC (592 MB) - booklets (79 MB) | OGG·160Kbps (153 MB)
Deutsche Harmonia Mundi (BMG) (1982-1993) / medieval

ensemble für frühe musik, augsburg - Oswald von WOLKENSTEIN  Music

Posted by sequentiam at April 11, 2009
ensemble für frühe musik, augsburg - Oswald von WOLKENSTEIN

ensemble für frühe musik, augsburg - Oswald von WOLKENSTEIN
EAC FLAC (290 MB) | NO LOG | Embedded CUE | Scans (15 MB) | OGG·160 (65 MB)
Christophorus "Musica Practica" CD 74 540 (1987) | medieval
Sequentia / Minnesang LIVE 1989 - Vogelweide / Wolkenstein / Reuental

Sequentia / Minnesang LIVE 1989
Walther von der VOGELWEIDE, Oswald von WOLKENSTEIN, Neidhart von Reuental

EAC FLAC (280 MB) | NO LOG | Embedded CUE | NO SCANS | OGG·160 (68 MB)
concierto grabado en vivo | medieval

Oliphant - Herz, prich!: Medieval German Music (2010)  Music

Posted by ArlegZ at Sept. 4, 2024
Oliphant - Herz, prich!: Medieval German Music (2010)

Oliphant - Herz, prich!: Medieval German Music (2010)
EAC | FLAC | Image (Cue & Log) ~ 264 Mb | Total time: 54:25 | Scans included
Classical | Label: Alba Records | # ABCD 292 | Recorded: 2009

This is a splendid collection of German music from the twelfth to the sixteenth centuries. In under an hour, sixteen distinctive and beautifully evocative accompanied songs are performed with style and commitment by the Swedish ensemble, Oliphant (Uli Kontu-Korhonen, chant, drum; Eira Karlson, fiddle, slide trumpet; Leif Karlson, lute, symphony, percussion; Janek Öller, recorders, hümmelchen, bomba). The four person group specializes in medieval music – performed on period instruments where possible. The perform with an "edge" that's at the same time gentle, considered and highly communicative. Indeed, the acoustic on this CD is close and warm without being at all cloying. That has the result of thrusting the very essence of the words (whose articulation is clear and penetrating) and the production of the sounds – on the fiddle, for instance – to the forefront of our attention over and above any more general impression we may have as a result of the music's strong aural flavor.
Ioculatores - Songs and Dances of the 13th to 15th centuries [Raumklang RKs 59301] {Germany 1993, ReIssue 2008}

Ioculatores - Songs and Dances of the 13th to 15th centuries
EAC+LOG+CUE | FLAC: 342 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Raumklang # RKs 59301 | Country/Year: Germany 1993, 2008
Genre: Classical, Folk | Style: Medieval

Oliphant - Herz, prich!: Medieval German Music (2010)  Music

Posted by ArlegZ at Sept. 4, 2024
Oliphant - Herz, prich!: Medieval German Music (2010)

Oliphant - Herz, prich!: Medieval German Music (2010)
EAC | FLAC | Image (Cue & Log) ~ 264 Mb | Total time: 54:25 | Scans included
Classical | Label: Alba Records | # ABCD 292 | Recorded: 2009

This is a splendid collection of German music from the twelfth to the sixteenth centuries. In under an hour, sixteen distinctive and beautifully evocative accompanied songs are performed with style and commitment by the Swedish ensemble, Oliphant (Uli Kontu-Korhonen, chant, drum; Eira Karlson, fiddle, slide trumpet; Leif Karlson, lute, symphony, percussion; Janek Öller, recorders, hümmelchen, bomba). The four person group specializes in medieval music – performed on period instruments where possible. The perform with an "edge" that's at the same time gentle, considered and highly communicative. Indeed, the acoustic on this CD is close and warm without being at all cloying. That has the result of thrusting the very essence of the words (whose articulation is clear and penetrating) and the production of the sounds – on the fiddle, for instance – to the forefront of our attention over and above any more general impression we may have as a result of the music's strong aural flavor.
Estampie - A Chantar: Mittelalterliche Frauen-Minne {Germany 2008, 1990}

Estampie - A Chantar: Mittelalterliche Frauen-Minne
Songs of Women in the Middle Ages
EAC+LOG+CUE | FLAC: 372 MB | MP3 CBR 320: 154 MB | Full Artwork | 5% Recovery Info + Rev-Part
Label/Cat#: Christophorus CHR 77290 | Country/Year: Germany 2008, 1990 [ReIssue]
Genre: Classical | Style: Medieval, Secular
Aventure - Totdat de wachter heeft gezongen - Songs from the Gruuthuse Manuscript (ca. 1400) (2018) {Challenge Classics}

Aventure - Totdat de wachter heeft gezongen - Songs from the Gruuthuse Manuscript (ca. 1400) (2018) {Challenge Classics}
FLAC (tracks) - 16bit/44.1kHz - Digital Download (qobuz.com) -> 280 Mb | MP3 @320 -> 156 Mb
Full Artwork (jpg+pdf) -> 33 Mb | 5% repair rar
© 2018 Challenge Classics | CC72795
Classical / Medieval / Early Music / 14th Century / 15th Century

The poems and songs of the Gruuthuse Manuscript originated in Bruges around 1400, and the collection is named after the later owner, Lodewijk van Gruuthuse. The songs form the most well-known part of the collection: love songs, bawdy songs and drinking songs. The Gruuthuse Manuscript contains the largest collection of Dutch language songs from the medieval period, and it is the largest collection of songs with music notation. The form of the songs also attests to the fact that these songs were intended for connoisseurs. The poet uses formes fixes, the canonized forms of French songs of the late medieval times: ballades, rondeaus and virelais, and the wide variety of the forms used is remarkable.