Wonder Core 2

An action 3D platformer with fast-paced gameplay and low-poly style graphics, inspired by the greatest classics of the genre. Full of platforming levels, combat arenas, many collectibles and secrets. Explore five worlds of Cyberland and save them from the malicious Virus and its army of bots!

Following her double Grammy-nominated CD entitled Soulcall, vocalist Nnenna Freelon has delivered a stunning tribute to master musician Stevie Wonder with "Tales of Wonder: Celebrating Stevie Wonder". In addition to being the first vocal CD ever done as a tribute to the legendary Wonder, the recording boasts several guest musicians accompanying her core ensemble. Freelon interprets such well-known Wonder classics as "Overjoyed," "My Cherie Amour," and "Another Star" in a voice that is sensual and personable, yet appealing and expressive. This collection of well-chosen pop standards allows Freelon more freedom to express the jazzier side of her talent than the blues and R&B flavors she sang on Soulcall due to the compositional integrity of Stevie Wonder's songs.

Lose yourself in a tale of magic and wonder, where anything is possible and where nothing is quite as it seems: join young Jerry and follow a peculiar white rabbit to the wondrous realm of Mousewood, a land where critters can speak and where mystery abounds.

Real groups like Empirical are a rarity in contemporary jazz, where musicians so often come together for single projects then disperse again once they are done: groups that endure for fifteen years, without slackening in their quest for the new and the fresh, are all but unheard of.

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Dinosaur’s second album is as electrifyingly different as anyone who knows Laura Jurd’s track record would expect. Never one to be labeled, the fearsomely talented and multiple award-winning Jurd has a Miles-like way of taking her work and tuning it to illuminate a vast array of musical worlds. She’s done orchestrated and meticulously composed; jazz rock grooves; electronic minimalism; mainstream jazz and now, with her new album, Wonder Trail, and band Dinosaur, keyboard maestro Elliot Galvin to the fore, she’s plundered the synth-pop of the 1980s for a new sound. But this is not gratuitous borrowing, or any kind of hipsterish, retro post-modernism. For one, these are very current sounds (Broen’s an indie band with similar reference points that comes up in conversation). And for two, Jurd and Galvin use the poptastic-ness of the keyboard sound as a sort of tin opener to get into all kinds of serious musical areas - improvisation, vocodered strangeness, strutting rockishness, bucolic folkiness. But, as with any proper stylistic amalgam, the whole is greater than the sum of the parts.