On November 22, 1981, just prior to a three-night stand at the Rosemont Horizon arena in Rosemont, Illinois, The Rolling Stones dropped in on a Muddy Waters gig at Chicago’s Checkerboard Lounge. Waters, who would pass away less than two years later, already had the audience’s rapt audience before the Stones even entered the club. With supreme authority, the Chicago blues legend led his band through several numbers before inviting Mick Jagger up to the stage to join him on “Baby Please Don’t Go.”
32 timeless tales of clanging Hammers and pounding Shovels - from wry, dry working-stiff diatribes to bare-chested exclamations - Birth / Work / Death maps the human work experience from anger to joy, poverty to riches. From the muck-crusted mines to late-night jukeboxes - backwoods outsiders and Nashville icons alike waxed odes to the entwined necessities of Work and Money, Status and Competition, Survival and Servitude. "Harrowing laments of dank deaths underground, fevered hymns to Mammon, snide ripostes to debt-bondage and exuberant celebrations of family and sustenance. Most originally waxed on private press labels and distributed in tiny amounts, these town criers and tavern-bound troubadours sing of golden highways, slothful byways, factory-floor drudgery and fallow, heartbreaking fields. Years in the making – ‘Birth / Work / Death‘ presents calloused anthems and bloody ballads from dusty LPs and long forgotten 45s. All for your lunch hour listening pleasure."
On November 22, 1981, in the middle of a huge American tour, the Rolling Stones arrived in Chicago for a three-night run at the Rosemont Horizon. On their night off, several of the Stones hit Buddy Guy's club, the Checkerboard Lounge, to see Muddy Waters and his band (which featured guitarist John Primer and harpist George "Mojo" Buford at the time). An impromptu blues jam ensued, and before the night was done, Mick Jagger, Keith Richards, Ron Wood, Ian Stewart, Lefty Dizz, Junior Wells, and Guy himself had all appeared on the stage with Waters and his band…
SPV launched their series of archival Ike & Tina Turner collections with this double-disc set, which curiously enough is the least interesting installment in the program so far. The Archive Series, Vols. 1 & 2: Hits and Classics is devoted to songs already familiar to casual listeners, but the only real-deal Ike & Tina hits included on this set are "It's Gonna Work Out Fine," "Nutbush City Limits," "Proud Mary," and "River Deep, Mountain High" (the latter two each appearing twice), while nearly everything else is a cover of a tune associated with another artist.
In the 1970s, disco was the biggest selling musical genre in the world. Disco fever spread globally and millions of records were sold. Nearly 50 years on, disco's resurgence and reinvention continues with disco inspired hits in the music charts today. Disco Inferno celebrates this phenomenal era by gathering 100 of the most iconic disco classics of all time.
Working in Tennessee, Merle Haggard's second album for Vanguard, plays a little slower and softer than 2010’s I Am What I Am, a record where Hag gently dwelled on his mortality. There are times where his age crosses his mind – particularly on “Sometimes I Dream,” where he casually lists off things that aren’t likely to pass his way again – but generally, he’s ready to “Laugh It Off” as he gripes about what’s playing on the radio, smokes a little dope, and enjoys playing a little bit of blues as he looks back to the past, even cutting a couple of old favorites (“Cocaine Blues,” “Jackson”) and a new version of “Working Man Blues.”