Nusrat Fateh Ali Khan opens this album as he often opened his live shows, by calling upon God in the form of Allah to come and bless the gathering with His presence. For that is the sole purpose of the qawwal: to reach God through music, through his voice. And this collection of Devotional and Love Songs is set forth with that in mind. Unlike some of Khan's more Western-influenced releases, such as Mustt Mustt and Night Song, the songs are presented here with minimal instrumentation (mostly harmonium and tabla) in the traditional call and response form, with Khan singing a line that is echoed by the party of musicians that shares the stage with him.
On this 1980 album, Osibisa drifted yet further toward an R&B dance-pop direction than they had on their previous studio record, Ojah Awake. Of course they weren't alone among popular recording artists in making concessions to disco during this era, and they didn't bury their African roots. It was still a somewhat dispiriting trend, and while much of the band's characteristic blend of African and Western influences remained intact, the songs – all of them around five minutes long, and relying on grooves more than content – were kind of blah. "Celebration" is about as close to a conventional soul-funk-disco track as the band got, and seems more like an Earth, Wind & Fire outing than an Osibisa one. At other points, the elements get more eclectic, creative, and (by Western pop standards) exotic; "Africa We GoGo" is reasonably convincing Africanized funk.