Beneath The Veil (1997). Zingaia was coined by combining the word Zingari, a tribe of Greek gypsies, and the name of Gaia, the great mother Earth, which tells you a great deal about this music. One could call it goddess music because each seductively swaying song with its whispery singing and spoken word vocals evokes images of ancient goddesses. While recognizably a pawn of Enigma or Deep Forest and using stylistic elements of world music and ambient trance, this album has a distinctively original sound that is electronically modern and ancient tribal percussive at the same time. Its quality of direct-to-the-hear spirituality is not unlike Sacred Spirit Drums, and it's easy to recognize the influence of David and Steve Gordon as co-producers with Michael Breene, a member of the two-musician group…
Magic Moments 1 (2000). With the 1996 release of "A Little Magic In A Noisy World", the first of its anthology series, ACT began to document its repertory concept of a permanent exchange between jazz and other forms of music. The release of "Magic Moments" in January 2000 is the forth installment of this "music without borders". This time the CD combines over 40 ACTs on 18 titles.
Some of the musicians on this anthology speak the American - born language of jazz with the accent of their own mother tongue. Others add new words to the language, or expand the grammatical rules. Yet others speak in their native language, but owing to their long time away from their homeland, scatter scraps of American "slang" over their musical landscape…
For Al Stewart fans who can't afford the five-CD set Just Yesterday, this 30-song double-disc collection is a fair – but only a fair – alternative. It is lacking a few items, however, that would make it more satisfying. For starters, the studio renditions of "Roads to Moscow" and "Nostradamus" are nowhere to be found, and then there's the absence of Stewart's debut single, "The Elf."…
The Buddha Bar series has become a band name by now, and Buddha Bar, Vol. 4 does nothing to break the new tradition. Compiled by David Visan, the two-CD set is divided into "Dinner" and "Drink." The former is definitely music for the consumption of comestibles, pleasant and polite with exotic touches of world music, like Nitin Sawhney's "Moonrise" or Gotan Project's revolution of the tango with "Una Musical Brutal," but they're the mildest examples of the artists' output, never pushing themselves forward, but providing a backdrop for food and civilized conversation. "Drink" fares a little better, but has traces of anonymity - Time Passing with "Party People," for example, or Chris Spheeris and "Dancing With The Muse" could both come from a modern TV ad - although its less afraid of imposing itself…