Worship Bass Book

Everybody loves a good ol’ dumping on bedroom projects. Ain’t nuthin like tearin’ instrudjental solo guitarists a new one for how generic their riffs are, and repeating for the thousandth time that soloing dost not the songwriting maketh (think, djenter, think!). On the flipside though, whenever a solo artist does come out with something worthwhile, it becomes all the more impressive. Enter The Vicious Head Society, a solo project by Graham Keane. Now to call this an actual solo project may be a bit of a stretch given the plethora of session musicians featured on this, but all the writing and composing is done by Keane. This band has been on my radar for a while since they were featured on a Reddit series for underrated prog metal artists, so I was excited to finally have an excuse to listen to them as I saw that they had a new one coming up. So the perennial question is of course, does it live up to my own personal hype?

Keeping the spirit of '90s rock alive, Chevelle pummel with The North Corridor, their heaviest, darkest, and most aggressive effort in over a decade…

Mostly Other People Do the Killing - Blue (2014) {Hot Cup 141}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 276 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb | 5% repair rar
© 2014 Hot Cup Records | HC 141
Jazz / Modal Music / Post-Bop / Avant-Garde Jazz

Mostly Other People Do the Killing have recreated one of the greatest and most important jazz albums of all time. By attempting to make an identical copy of the original recording, this album poses several interesting questions about music in the 21st century.

The third in the Glass’ trilogy of operas about men who changed the world in which they lived through the power of their ideas, “Akhnaten”‘s subject is religion. The Pharaoh Akhnaten was the first monotheist in recorded story, and his substitution of a one-god religion for the multi-god worship in use when he came to power was responsible for his violent overthrow. The opera describes the rise, reign, and fall of Akhnaten in a series of tableaus. Libretto (Egyptian, Arcadian, Hebrew, and language of the audience) by the composer in association with Shalom Goldman, Robert Israel and Richard Riddell. Vocal text drawn from original sources by Shalom Goldman.