Wrecks 2024

Todd Snider Véritable trublion de la scène folk américaine, Todd Snider, songwriter à l'humour décapant et à l'écriture acerbe et toujours intelligente, s'est hissé au rang de petite star avec un single, « Talkin' Seattle Grunge Rock Blues », et son premier album, Songs for the Daily Planet (1994), qui mirent la critique d'accord. L'Américain a ensuite livré une dizaine d'albums, souvent plébiscités par la critique, mais ne rencontrant qu'un public relativement limité. Artiste folk, rock et parfois country, Todd Snider a cependant acquis un vivier de fans solide depuis le milieu des années 90.

When the most influential heavy metal band ever to have roamed the earth teams up with Body Count's Ernie C to try and inject new life into their sound, it should have been the signal to give up the ghost.

When the most influential heavy metal band ever to have roamed the earth teams up with Body Count's Ernie C to try and inject new life into their sound, it should have been the signal to give up the ghost. But poor Black Sabbath named an album Never Say Die because they meant it, and this sad album is a reminder of how dim even the brightest lights can get. Where their last album was an uneven but pleasant return to form, this is just the band going through the motions. "Get a Grip" takes its riff from Iommi's own "Zero the Hero" and totally wrecks it; "Can't Get Close Enough" is an awful power metal ballad; and "Shaking Off the Chains" might be the worst Tony Martin-fronted Sabbath song. And that is a bold claim considering how awful Tyr was.

When the most influential heavy metal band ever to have roamed the earth teams up with Body Count's Ernie C to try and inject new life into their sound, it should have been the signal to give up the ghost.

When the most influential heavy metal band ever to have roamed the earth teams up with Body Count's Ernie C to try and inject new life into their sound, it should have been the signal to give up the ghost. But poor Black Sabbath named an album Never Say Die because they meant it, and this sad album is a reminder of how dim even the brightest lights can get. Where their last album was an uneven but pleasant return to form, this is just the band going through the motions. "Get a Grip" takes its riff from Iommi's own "Zero the Hero" and totally wrecks it; "Can't Get Close Enough" is an awful power metal ballad; and "Shaking Off the Chains" might be the worst Tony Martin-fronted Sabbath song. And that is a bold claim considering how awful Tyr was.

When the most influential heavy metal band ever to have roamed the earth teams up with Body Count's Ernie C to try and inject new life into their sound, it should have been the signal to give up the ghost.

When the most influential heavy metal band ever to have roamed the earth teams up with Body Count's Ernie C to try and inject new life into their sound, it should have been the signal to give up the ghost. But poor Black Sabbath named an album Never Say Die because they meant it, and this sad album is a reminder of how dim even the brightest lights can get. Where their last album was an uneven but pleasant return to form, this is just the band going through the motions. "Get a Grip" takes its riff from Iommi's own "Zero the Hero" and totally wrecks it; "Can't Get Close Enough" is an awful power metal ballad; and "Shaking Off the Chains" might be the worst Tony Martin-fronted Sabbath song. And that is a bold claim considering how awful Tyr was.

The Jazz Piano Quartet was a one-off collaboration between renowned pianists Dick Hyman, Roland Hanna, Marian McPartland, and Hank Jones.

The Jazz Piano Quartet was a one-off collaboration between renowned pianists Dick Hyman, Roland Hanna, Marian McPartland, and Hank Jones.