Tan Dun's Concerto for String Orchestra and Pipa (1999) is a reworking of one of his most popular works, Ghost Opera, written for and recorded by the Kronos Quartet. In this version, the composer's characteristic polystylism – which here includes Chinese folk song, Copland-esque Big Sky music, quotations from Bach, and vocalizations by the orchestra – comes across as a jumble, without much of a strong vision holding the disparate elements together. Pipa virtuoso Wu Man, who appeared on the Kronos recording, plays the concerto with energy and delicacy. She's ably accompanied by the Moscow Soloists, led by Yuri Bashmet. The concerto is followed by Takemitsu's Nostalghia (1987) for violin and string orchestra. Its compositional assurance, clarity, subtly nuanced orchestration, and emotional directness make it all the more striking in contrast to the Tan Dun. Here Bashmet is the impassioned soloist, with Roman Balashov conducting with great sensitivity. The three brief excerpts from Takemitsu's film scores are a pleasant stylistic diversion – light, strongly differentiated character pieces.
For Terry Riley's 70th birthday, the Kronos Quartet commissioned him to write a piece for them, and he decided to include pipa player Wu Man (who also sings), as well as drum, rattle, various toys, and synthesizer. It's the most eclectic piece Riley has written for Kronos; he outdoes himself in the number of world music traditions, Western styles, and eccentric instruments he incorporates into The Cusp of Magic, whose title refers to the summer solstice.
Bright Sheng is a Chinese-American composer, pianist, music teacher and conductor born on December 6, 1955 in Shanghai, China. Before moving to the United States in 1982, he studied the piano at the age of four from his mother. He graduated from the Shanghai Conservatory and went on to continue his education at Queens College and Columbia University. In 1995, he became a part of the faculty at the University of Michigan. Sheng has since then earned many honors for his music and compositions.