X分の１ ウソツキ

Project: Regeneration Vol. 1 is the seventh studio album by American industrial metal band Static-X, released on July 10, 2020[8] by Otsego Entertainment Group, distributed by The Orchard Music, a subsidiary of Sony Music. It is the band's first studio album in eleven years following Cult of Static (2009), and their first album not on Warner Bros. or Reprise Records. The album features part of the last recordings of deceased front man Wayne Static, who died in 2014, with his role being filled by a new front man credited as "Xer0". Project Regeneration sees the return of the original Static-X lineup—bassist Tony Campos, guitarist and programmer/keyboardist Koichi Fukuda and drummer Ken Jay—and was produced by Ulrich Wild, who has produced and/or mixed all but two albums by the band in the past.

Cream teamed up with producer Felix Pappalardi for their second album, Disraeli Gears, a move that helped push the power trio toward psychedelia and also helped give the album a thematic coherence missing from the debut. This, of course, means that Cream get further away from the pure blues improvisatory troupe they were intended to be, but it does get them to be who they truly are: a massive, innovative power trio. The blues still courses throughout Disraeli Gears – the swirling kaleidoscopic "Strange Brew" is built upon a riff lifted from Albert King – but it's filtered into saturated colors, as it is on "Sunshine of Your Love," or it's slowed down and blurred out, as it is on the ominous murk of "Tales of Brave Ulysses." It's a pure psychedelic move that's spurred along by Jack Bruce's flourishing collaboration with Pete Brown.

Cream teamed up with producer Felix Pappalardi for their second album, Disraeli Gears, a move that helped push the power trio toward psychedelia and also helped give the album a thematic coherence missing from the debut. This, of course, means that Cream get further away from the pure blues improvisatory troupe they were intended to be, but it does get them to be who they truly are: a massive, innovative power trio. The blues still courses throughout Disraeli Gears – the swirling kaleidoscopic "Strange Brew" is built upon a riff lifted from Albert King – but it's filtered into saturated colors, as it is on "Sunshine of Your Love," or it's slowed down and blurred out, as it is on the ominous murk of "Tales of Brave Ulysses." It's a pure psychedelic move that's spurred along by Jack Bruce's flourishing collaboration with Pete Brown.

X-Legged Sally (XLS) is a Belgian avant-garde rock/jazz-band founded in 1988 by composer Peter Vermeersch, and disbanded in 1997. They were one of the first bands from Belgium to combine a set of very different musical styles (jazz, rock, improvisation and classical), becoming a starting point for the Belgian indie music scene that developed in the nineties. Initially, X-Legged Sally was formed to compose and perform the music Peter Vermeersch wrote for dance productions, such as Immer das Selbe Gelogen (Always the Same Lies), released as a live cd in 1991. Vermeersch' composing style was becoming too demanding for the constraints of sheet music such as was used in his earlier band Maximalist! From the beginning, improvisation played an important role in XLS' songs. The first X-Legged Sally concert took place in November 1988. Soon, XLS became a band in its own right, although there would be cooperations with dance ensembles throughout the existence of the group.

Overlooked German band with great love for 70's progressive rock, led by (professional chemist) Arne Schaefer, also leader of the side-project Apogee. They were formed at the dawn of the 90's by Schaefer and drummer Stefan Maywald, who were members of the new wave band ''Vague Venture''. Keyboardist Ekkehard Nahm saw Scahefer playing at a solo concert and meant to be the third member of the band's early years. The Frankfurt-based trio recorded their debut in 1994 with Schaefer playing basses, guitars and handling the vocals.
As Schaefer is a devoted fan of Peter Hammill, plenty of the material is song-based without lacking in instrumental intensity…