It is not clear what took Sony Classical five years to issue these performances, recorded by violinist Joshua Bell and the Singapore Chinese Orchestra in 2018. Having had it in the can, it would have made ideal pandemic-era listening. However, better is certainly late than never, and the recording is a real find. It made classical best-seller lists in the summer of 2023. Most musical fusions have one tradition or the other at the core, but in this one, the trips between Western and Chinese are so numerous that one loses track.
Award-winning violinist Joshua Bell’s forthcoming recording Butterfly Lovers features one of the most renowned works in the Chinese classical violin repertoire, the Butterfly Lovers Violin Concerto. Recorded with the Singapore Chinese Orchestra (SCO) and conducted by Tsung Yeh, the work is a distinctive adaptation for an ensemble of traditional Chinese instruments.
Following on from the hard-hitting blues of their debut album, Plays On caught the Climax Chicago Blues Band in somewhat transitional waters, testing any number of different musical styles, but never really setting on any. Certainly the funk thump that characterized their better later work was still an idea waiting to be explored, as the group instead fluttered between the scurrying jazz of the opening "Flight," the psychedelic tinge of "Hey Baby, Everything's Gonna Be Alright Yeh Yeh Yeh," the semi-Santana fusion of "Cubano Chant," and the heavy blues of "So Many Roads," all interrupted by "Mum's the Word," a dynamic Moog sequence that builds out of the theme from 2001, and then freefalls into total space rock.
The Three Sounds' return to Blue Note wasn't a celebrated event - no exact date even exists for these sessions, although in all likelihood it was recorded somewhere in October 1966. Even if the event was poorly documented, it was fairly important for the label, because it signaled that they were backing away from the adventurous hard bop and free jazz they had been recording, and were considering concentrating on the commercially oriented, mainstream soul-jazz the Three Sounds pioneered. Since Vibrations was recorded in 1965, not 1959, there were differences in the trio's approach. Pianist Gene Harris tried organ on a few tracks, and the group tackled contemporary R&B hits ("Let's Go Get Stoned," "Fever," "Yeh Yeh") as well as MOR pop ("It Was a Very Good Year")…