Going for the One is perhaps the most overlooked item in the Yes catalog. It marked Rick Wakeman's return to the band after a three-year absence, and also a return to shorter song forms after the experimentalism of Close to the Edge, Tales from Topographic Oceans, and Relayer…
Going for the One is perhaps the most overlooked item in the Yes catalog. It marked Rick Wakeman's return to the band after a three-year absence, and also a return to shorter song forms after the experimentalism of Close to the Edge, Tales from Topographic Oceans, and Relayer. In many ways, this disc could be seen as the follow-up to Fragile. Its five tracks still retain mystical, abstract lyrical images, and the music is grand and melodic, the vocal harmonies perfectly balanced by the stinging guitar work of Steve Howe, Wakeman's keyboards, and the solid rhythms of Alan White and Chris Squire.
Going for the One is perhaps the most overlooked item in the Yes catalog. It marked Rick Wakeman's return to the band after a three-year absence, and also a return to shorter song forms after the experimentalism of Close to the Edge, Tales from Topographic Oceans, and Relayer. In many ways, this disc could be seen as the follow-up to Fragile. Its five tracks still retain mystical, abstract lyrical images, and the music is grand and melodic, the vocal harmonies perfectly balanced by the stinging guitar work of Steve Howe, Wakeman's keyboards, and the solid rhythms of Alan White and Chris Squire. The title track features Howe on steel guitar (he's the only prog rocker who bothers with the instrument). "Turn of the Century" and the album's single, "Wonderous Stories," are lovely ballads the way only Yes can do them…
Essential: a masterpiece of progressive rock music
When the music press announced that Rick WAKEMAN returned to YES in ’76, I was delighted, what a pleasant surprise!
With 1971's Fragile having left Yes poised quivering on the brink of what friend and foe acknowledged was the peak of the band's achievement, Close to the Edge was never going to be an easy album to make. Drummer Bill Bruford was already shifting restlessly against Jon Anderson's increasingly mystic/mystifying lyricism, while contemporary reports of the recording sessions depicted bandmate Rick Wakeman, too, as little more than an observer to the vast tapestry that Anderson, Steve Howe, and Chris Squire were creating…
The key components to every great prog-rock album comprise memorable guitar riffs, punchy immediacy that draws you into the song, ample rhythmic kick, and the imaginative capacity to transport the listener to a place well beyond the confines of reality. Yes’ The Yes Album features all of these rare qualities and more, the 1971 record as significant for saving the band’s career as well as for establishing new parameters in virtuosic technicality and skilled composition. The first set recorded with guitarist Steve Howe, it remains Yes’ grandest achievement and claims a musical vision the British quintet’s contemporaries struggled to match…
2013 five CD box set containing a quintet of albums packaged in cardboard mini LP sleeves and housed in a slipcase. British band Yes are regarded as pioneers of the progressive rock genre since there formation in 1969. This collection contains the five albums from 1977 to 1987; the decade that saw the band's sales peak worldwide. Included here are the hit albums Going for the One, and Drama that reached #1 and #2 in the UK respectively; as well as the band's most successful record, 90125, which spawned the US #1 hit single 'Owner of a Lonely Heart.'
The second official concert package from Yes contains tunes recorded over a span of two years (1976-1978) and two different incarnations of the band. Like its live predecessor Yessongs (1973), Yesshows finds the combo during one of their states of perpetual change…