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Cincinnati Pops Orchestra / Erich Kunzel - Russian Nights (2007, Telarc # CD 80657) [RE-UP]

Erich Kunzel & The Cincinnati Pops Orchestra - Russian Nights
FLAC, EAC, LOG & CUE | Full Artwork | Size: 295 MB + Recovery Info
Label/Cat#: Telarc CD 80657 | Country/Year: Europe 2007
Genre: Classical | Hoster: Filepost/Filefactory

…Kunzel's Ruslan and Ludmilla overture is suitably festive, even if it doesn't quite achieve the breathless intensity exhibited by Bernstein or Pletnev. But then, being "definitive" isn't the point of this album–enjoyable music-making is, and in that respect it's a triumph. Especially so as the Cincinnati Pops plays masterfully and with great enthusiasm throughout the program. (Listen to the bold trombones in Mussorgsky's Polonaise or to the singing strings in Spartacus.) Telarc captures it all in its signature vivid, high-impact sound. Yes, I know you already have a couple of Russian favorites discs in your collection, but this new Telarc release is special enough that you'll want to make room for it.
Cincinnati Pops Orchestra / Erich Kunzel - Russian Nights [Telarc CD 80657] {Europe 2007}

Erich Kunzel & The Cincinnati Pops Orchestra - Russian Nights
FLAC, EAC, LOG & CUE | Full Artwork | Size: 295 MB + Recovery Info
Label/Cat#: Telarc CD 80657 | Country/Year: Europe 2007
Genre: Classical | Hoster: Filepost/Filefactory

…Kunzel's Ruslan and Ludmilla overture is suitably festive, even if it doesn't quite achieve the breathless intensity exhibited by Bernstein or Pletnev. But then, being "definitive" isn't the point of this album–enjoyable music-making is, and in that respect it's a triumph. Especially so as the Cincinnati Pops plays masterfully and with great enthusiasm throughout the program. (Listen to the bold trombones in Mussorgsky's Polonaise or to the singing strings in Spartacus.) Telarc captures it all in its signature vivid, high-impact sound. Yes, I know you already have a couple of Russian favorites discs in your collection, but this new Telarc release is special enough that you'll want to make room for it.
Yevgeny Sudbin, Tapiola Sinfonietta, Osmo Vanska - Ludwig van Beethoven: Piano Concertos 1 & 2 (2017)

Ludwig van Beethoven: Piano Concertos 1 & 2 (2017)
Yevgeny Sudbin, piano; Tapiola Sinfonietta; Osmo Vänskä conductor

EAC | FLAC | Image (Cue&Log) ~ 234 Mb | Mp3 (CBR320) ~ 146 Mb | Artwork included
Genre: Classical | Label: BIS | # BIS-SACD-2078 | Time: 01:03:19

On two previous discs, Yevgeny Sudbin and Osmo Vänskä have released Beethoven’s three last piano concertos to critical acclaim. Distinctions include Editor’s Choice in Gramophone and the performances have been described as ‘electrifying’ (classicfm.com), ‘absolutely stunning’ (Fanfare) and ‘a Beethoven experience you will not want to miss’ (ClassicsToday.com). For the final disc in their cycle, Sudbin and Vänskä have travelled to Helsinki to team up with Tapiola Sinfonietta, one of the top Nordic ensembles, and well suited for these earlier and more classical of Beethoven’s concertos. Of the two, the one we now know as the Second was actually begun several years before Concerto No. 1, and indeed even before Beethoven left Bonn for Vienna. During the following decade, Beethoven returned to the score repeatedly and made substantial revisions – including composing a new final movement – and ultimately the C major concerto reached publication first.

Chicago - Chicago V (1972) (DVD-Audio ISO) [2003]  Vinyl & HR

Posted by evaristegalois at Oct. 21, 2011
Chicago - Chicago V (1972) (DVD-Audio ISO) [2003]

Chicago - Chicago V (1972) (DVD-Audio ISO) [2003]
DVD Audio Image (.ISO) = 5.43 GB | Complete Scans PDF (600 dpi): 15.3 MB | 400 Mb RARs | Watermarked
MLP 6-channel 96Khz/24-bit | MLP 2-channel 192Khz/24-bit | Dolby Digital 5.1

Chicago V is the fourth studio album (fifth overall) by American rock band Chicago and was released in 1972. It is notable for being the group's first single full-length release, after having released three consecutive double albums and a box set of live material.
Following the release of Chicago III in 1971, which almost left Chicago creatively spent, the band decided to curb their penchant for double albums and work on more concise numbers (in contrast to the suites that had typified their previous work) in order to fit all of their new material onto a single album. Chicago V is also notable for Robert Lamm's prolific songwriting; eight out of its ten tunes are composed solely by him.