You, 池玲子

Frank Zappa - You Can't Do That On Stage Anymore. Vol. 1-6 [Purple Box] (1995) {Rykodisc}
EAC rip (secure mode) | FLAC+CUE+LOG -> 5.40 Gb
Full Artwork @ 300 dpi (jpg) -> 186 Mb | 5% repair rar
© 1995 Rykodisc / The Zappa Family Trust | RCD 10561~72
Rock / Experimental Rock

To simplify my life considerably, I'm going to combine the "reviews" of all six Stage releases into a single entry, even though they were released individually. Also, to save a lot of time and effort, I'm not going to give complete track listings of the twelve discs, or do song-by-song reviews (hey, we're talking over 800 minutes of music here, give me a break). If you need to know the track listings, they're probably available through an on-line music sales site like CDNow, or an information site like the All Music Guide. There's probably a few other Zappa sites that list them as well. Maybe one day when I have the time, I'll come back and expand this section to really cover all twelve discs in detail. Until then, I'll just give some general facts and opinions, focusing on highlights and material unique to the Stage series.

Jerry Lee Lewis - At Sun Records: The Collected Works - "What the Hell Else Do You Need?" (2015) {18CD Box Set Bear Family}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.55 Gb | MP3 @320 -> 2.80 Gb
Artwork @ 300 dpi (jpg) -> 59 Mb | 5% repair rar
© 2015 Bear Family Records | BCD 17254 RL
Rock & Roll / Country / Rhythm & Blues / Rockabilly / Honky Tonk

Sam Phillips didn't record anybody else the way he recorded Jerry Lee Lewis. With other artists, he pushed and prodded, taking his time to discover the qualities that made them uniquely human, but with Jerry Lee, he just turned the tape on and let the Killer rip. There was no need to sculpt because Lewis arrived at Sun Studios fully formed, ready to lean back and play anything that crossed his mind. Over the course of seven years, that's more or less how things were run at Sun: Lewis would sit at the piano and play, singing songs that were brought to him and songs that crossed his mind, and Sam never stopped rolling the tape.

Gerry & the Pacemakers are fated to eternal comparisons to the Beatles, their onetime Merseybeat rivals who rapidly eclipsed the quartet in popularity and accomplishment, leaving them as something of a pop culture punchline. In the wake of the Beatles, it was hard to look back at Gerry Marsden and his irrepressibly cheerful music and think it was in the same league as the Fab Four, or any of the British Invasion groups that followed. That may be true, but Gerry & the Pacemakers shouldn't be judged against such R&B-schooled rockers as the Rolling Stones, the Animals, and the Kinks but rather against the stiff, starched rock & roll of pre-Beatles Britain. Compared to this prim, proper pop, the skiffle beats and bouncy melodies of Gerry & the Pacemakers seem fresh, almost serving as a bridge between formative English rock and the bright blast of the Beatles…

They are the most successful pop music duo of all time. Daryl Hall and John Oates have long since surpassed Simon and Garfunkel and the Everly Brothers in the annals of pop pairings, having scored no less than 22 Billboard Top 20 singles, including six number ones, six platinum albums (sales of more than one million copies) plus another six gold LPs (sales of more than 500,000 units). Spanning the years 1966-2009, DO WHAT YOU WANT, BE WHAT YOU ARE: THE MUSIC OF DARYL HALL & JOHN OATES, the definitive Hall & Oates anthology, collects 74 sublime tracks, culled from seven different labels on its four discs. The set showcases 16 previously unreleased cuts including a host of wonderful live performances, as well as never before heard studio tracks and remixes.

Limited seven CD set. Features 67 tracks including the albums Halfbreed, The Battle Of North West Six, The Time Is Near, Overdog, Little Big Band, Seventy Second Brave and Lancashire Hustler plus 15 bonus tracks drawn from rare live recordings and singles. Includes an illustrated book with essay. Keef Hartley first came to prominence as a member of the British R&B group The Artwoods before joining John Mayall's Bluesbreakers in 1967 before leaving to form the first line-up of his own band.

As unfathomable as it seems from the distance of over 40 years, for a few months, Gerry & the Pacemakers were the Beatles' nearest competitors in Britain. Managed (like the Beatles) by Brian Epstein, Gerry Marsden and his band burst out of the gate with three consecutive number one U.K. hits in 1963, "How Do You Do It," "I Like It," and "You'll Never Walk Alone."

Up there with 'Elastic Rock' by Nucleus and Soft Machine's 'Third', The Keith Tippett Group's excellent 'Dedicated To You But You Weren't Listening' occupies the upper echelons of British jazz-fusion and is rightfully hailed as a classic album by fans and critics alike…

The instrumental, multimedia Montreal group Godspeed You! Black Emperor creates extended, repetition-oriented chamber rock. The minimal and patient builds-to-crescendo of the group's compositions results in a meditative and hypnotic listen that becomes almost narrative when combined with found-sound splices and the films of their visual collaborators. Collection includes: 'F#A#∞' (1998); 'Slow Riot For New Zero Kanada E.P.' (1999); 'Lift Yr. Skinny Fists Like Antennas To Heaven!' (2000) 2CD; 'Yanqui U.X.O.' (2002); 'Allelujah! Don't Bend! Ascend!' (2012); 'Asunder, Sweet And Other Distress' (2015).