Yves Jean

Réfutant l'idée reçue qui fait de Raymond Poulidor un éternel deuxième, retrace, de 1960 à 1977, la carrière du coureur cycliste aux 189 victoires. …

Biographie consacrée au coureur cycliste français, revenant à la fois sur ses nombreux succès et sur la faible popularité dont il jouissait auprès du public français, notamment à l'égard de sa rivalité avec Raymond Poulidor. …

Thibaudet, Dudamel and the Los Angeles Philharmonic join to release the rarely recorded Khachaturian concerto. Jean-Yves is the modern-day champion of a work once-famous in the hands of virtuosi such as William Kapell and Oscar Levant. “Thibaudet mastered the score, deftly working the extremes of flashy dynamism and feathery ruminations” (Los Angeles Times). Coupled with short solo piano works including the immortal Adagio from ‘Spartacus’; the Sabre Dance; Lullaby; Masquerade Suite and selections from Pictures of Childhood.

Gershwin Rhapsody - Jean-Yves Thibaudet & Michael Feinstein / Commemorating the 1924 premiere of Rhapsody in Blue, pianist Jean-Yves Thibaudet collabs with Michael Feinstein, the 'one-man encyclopaedia of the Great American Songbook' to celebrate the magic of Gershwin. Gershwin Rhapsody sees best-loved Gershwin melodies sit alongside world premiere recordings of 4 rediscovered Gershwin songs: 'Graceful and Elegant', 'Dance of the Waves', 'Sutton Place' and 'Under the Cinnamon Tree'.

In order to expand the breadth of his performance career, Thibold has been actively exploring repertoire that is less popularly recorded in recent years. These two piano concertos by Mendelssohn are crystal clear and graceful under Thiebaud's skillful hands. The Leipzig Gewandhaus Orchestra is the oldest orchestra in the world. Mendelssohn was invited to be the fifth conductor of the orchestra in 1835. Therefore, this episode invites them to take on the important responsibility of concerto, which is particularly meaningful.

Chabrier’s extraordinary, if incomplete, opera is surely a precursor to Salome and approaches even that most lurid work in the gloriously opulent sensuality of its music. Performed at the Edinburgh Festival by some of the greatest singers of the day and recorded live by Hyperion, this thrilling performance stunned critics and public alike. A genuinely wonderful discovery.

Along with Wit's Naxos recording, this is one of the best versions of Messiaen's phantasmagoric Turangalîla-Symphonie available, and it's very different: swifter, more obviously virtuosic in concept, perhaps a touch less warm in consequence, and engineered with greater “in your face” immediacy. The playing of the Concertgebouw, always a wonderful Messiaen orchestra, is stunning throughout. Chailly revels in the music's weirdness. The Ondes Martinot, for example, is particularly well captured. It's interesting how earlier performances tended to minimize its presence, perhaps for fear that is would sound silly, which of course it does, redeemed by the composer's utter seriousness and obliviousness to anything that smacks of humor. In any case, it's not all noise and bluster. The Garden of Love's Sleep is gorgeous, hypnotic, but happily still flowing, while the three Turangalîla rhythmic studies have remarkable clarity. Jean-Yves Thibaudet plays the solo piano part magnificently, really as well as anyone else ever has.