Notre civilisation va-t-elle s'effondrer ? La croissance peut-elle être durable ? Le travail va-t-il disparaître ? L'IA va-t-elle nous remplacer ? À quoi ressembleront l'art et le sexe de demain ? Serons-nous immortels ? Par-delà collapsologie et transhumanisme, Futur apporte des réponses concrètes à toutes les grandes questions d'avenir. Une synthèse sans équivalent et très documentée aux conclusions souvent…
Maître Capelo a arbitré près de 5.000 jeux télévisés. Il a pris position contre la réforme de l'orthographe. Son guide se présente sous la forme d'un répertoire alphabétique, où sont épinglées fautes d'orthographe, de prononciation, barbarismes, etc. …
Until the late 1680s, Henry Purcell composed almost exclusively for the royal court. But when the monarchy decided to reduce its expenditure on music in 1690, he joined the United Company, a London theatre company, and devoted himself to composing for its productions. These took varied forms, with operas such as King Arthur (1691), The Fairy Queen (1692) and The Indian Queen (1695) but also spoken plays with music, such as The Virtuous Wife (1695). It is excerpts from these works that are presented in Tyrannic Love. Compositions by Purcell’s colleagues or followers John Blow, John Eccles, Jeremiah Clarke and Daniel Purcell complete the programme.
Enuff Z’Nuff are back with their follow up to `Diamond Boy’. Founding member, Chip Z’Nuff returns with more Power-Pop Rock that has kept loyal fans happy since their debut in 1984. That being said, this release sees a good spread of musical variety, partly aided by a liberal sprinkling of guest musicians including original vocalist/Guitarist Donnie Vie, Ace Frehley, Mike Portnoy, and Cheap Trick’s Daxx Nielsen…