Frank Zappa's 1977 Halloween concert at New York City's Palladium Theater. All the cameras are on-stage, nothing from out front, which is interesting but doesn't give you that audience perspective. Frank Zappa, Terry Bozzio, Roy Estrada, Adrian Belew, Ed Mann, Patrick O'Hearn, Peter Wolf, Tommy Mars, and "New York's Finest Crazy Persons", contains incredible live performances, back-stage and studio antics, and (too much) brain-melting clay-mation. A must for any Zappa fan.
To celebrate the 40th anniversary of Frank Zappa and the Mothers of Invention’s final album, One Size Fits All, Frank Zappa’s son Dweezil and his band (who perform as Zappa on Zappa) will play the wacky album in its entirety when they perform at the Kent Stage on Sept. 22. In addition, Zappa & Co. will perform an additional 70 to 75 minutes worth of music from Frank Zappa's vast catalog. Prior to the concert, Zappa will offer a “masterclass” during which he’ll “instruct, guide and share” insight with fans who want to learn to play guitar better.
Grammy award winner, multi-instrumentalist and lead singer of the former Frank Zappa band Napoleon Murphy Brock and the Ensemble Musikfabrik are releasing an impressive concert recording of the Zappanale 2019 with "Bad Doberan & Elsewhere".
Official Release #65. The full saga of Läther (pronounced leather) is tangled enough to give a migraine to all but committed Zappaphiles. Basically, what you need to know is that this project was originally conceived of as a four-record box set. When record company politics prevented its release in that format, much of the material was spread over the albums Live in New York, Sleep Dirt, Studio Tan, and Orchestral Favorites. This three-CD set presents the album as it was originally conceived, with the addition of four bonus tracks at the end. It mixes previously available material, alternate mixes, and edits, and previously unissued stuff, though only the most serious Zappa fans will have a good grip on exactly what has appeared where (the liner notes are surprisingly unexact in this regard).
The musically similar follow-up to the commercial breakthrough of Over-Nite Sensation, Apostrophe (') became Frank Zappa's second gold and only Top Ten album with the help of the "doggy wee-wee" jokes of "Don't Eat the Yellow Snow," Zappa's first chart single (a longer, edited version that used portions of other songs on the LP). The first half of the album is full of nonsensical shaggy-dog story songs that segue into one another without seeming to finish themselves first; their dirty jokes are generally more subtle and veiled than the more notorious cuts on Over-Nite Sensation. The second half contains the instrumental title cut, featuring Jack Bruce on bass; "Uncle Remus," an update of Zappa's critique of racial discord on "Trouble Every Day"; and a return to the album's earlier silliness in "Stink-Foot"…