This record is dedicated to Frank Zappa, an artist whose genius and music devoid of intellectual barriers have deeply stimulated the trio's imagination. Relying on an instrumentation quite different from Zappa's and not falling into a simply commemorative approach, Harmonia revisits his scathing and often provocative music and shows how it is possible to overcome hindering models and boundaries. The CD Harmonia meets Zappa, conceived and produced by Giampiero Bigazzi, features arrangements of cuts drawn from Hot Rats, Waka/Jawaka, FZ Meets The Mothers of Prevention, Lumpy Gravy, Freak Out, and some compositions that Harmonia dedicates to the great guitarist from Baltimore.
Civilization Phaze III is the sixty-third album by Frank Zappa, released posthumously as a double album on October 31, 1994. It was the first studio album of new material from Zappa since 1986's Jazz from Hell. The album marks the third part of a conceptual continuity that started with We're Only in It for the Money (1968), with the second part being a re-edited version of Zappa's 1967 album Lumpy Gravy. Zappa described the album as a "two-act opera", but in lieu of traditional recitatives and arias, it alternates brief spoken word passages with musical numbers created on a Synclavier using a combination of sampled and synthesized sounds. Much of the sampled material in the second half of the album was originally recorded by Ensemble Modern and other musicians to Zappa's specifications.
Frank Zappa gave the vocal group the Persuasions their first chance by signing them to his record label, Straight, in 1969. In 2000, the six-piece a cappella formation recorded a heartfelt tribute to the composer by recording doo wop renditions of a cross section of his songs. Some choices were inevitable, like "The Meek Shall Inherit Nothing," which the group had already performed on the project Zappa's Universe, and the already doo woppy "Any Way the Wind Blows" and "Love of My Life." But by adding obscure numbers like "Electric Aunt Jemima" and "Harder Than Your Husband," the Persuasions clearly intended to surprise the fans – and it works.
Official Release #63. This is Zappa's masterpiece of electronic music, conceived, composed and performed on his Synclavier, a computer system for music composition and recording. Civilization Phaze III is an astounding work, taking Zappa nearly ten years to finish. Released posthumously, this 2 CD set is a testimony to Zappa the composer, containing the pure fruits of his imagination and the hard work he continued until his death in 1993. Continuing the story of the piano people from Lumpy Gravy (and utilizing much of the same tape source material for it's interludes) the album fulfills on the promise of his Grammy-winning Jazz From Hell, the first album released of his Synclavier music.
Official Release # 72. While no specific designation has been given to Joe's Corsage (2004), the liner notes indicate that this is the debut of an "exciting new series." The title is undoubtedly a clever play on Frank Zappa's Joe's Garage (1979), but the "Joe" in this case is audio archivist Joe Travers, who has been involved with the Zappa Family Trust (ZFT) since the triple-CD release Läther (1996). Granted, exceptions exist, however for the most part the earliest incarnations of the Mothers of Invention are included here with Zappa (guitar/vocals), "Baby" Ray Collins (vocals/tambourine/harmonica), Roy Estrada (bass), and Jimmy Black (drums).
Official Release #91. In October 1971, Frank Zappa & The Mothers of Invention played two shows in one night at New York City’s Carnegie Hall. The album, Carnegie Hall, celebrates that night's marathon – two shows (7:30 and 11:30 p.m.) with ticket prices ranging from $3.50 to $6 – featuring Zappa (lead guitar, vocals) with Mark Volman (vocals, percussion), Howard Kaylan (vocals), Ian Underwood (keyboards, alto sax), Don Preston (keyboards, gong), Jim Pons (bass, vocals) and Aynsley Dunbar (drums).
During his last years, Frank Zappa concentrated on his "serious music," trying to impose himself as a composer and relegating the rock personality to the closet. His last two completed projects topped everything he had done before in this particular field. The Yellow Shark, an album of orchestral music, was released only a few weeks before he succumbed to cancer (the computer music/sound collage album Civilization Phaze III was released a few months later). This CD, named for a plexiglas fish given to Zappa in 1988, culls live recordings from the Ensemble Modern's 1992 program of the composer's music.