The arpeggione would probably be completely forgotten today had not Franz Schubert written for it his famous Sonata in A minor, D. 821, in 1824. Invented by Johann Georg Staufer in 1823, the arpeggione can be described as a kind of hybrid cello-guitar. It had frets and six strings tuned like those of a guitar, but was held like a cello and played with a bow.
The arpeggione would probably be completely forgotten today had not Franz Schubert written for it his famous Sonata in A minor, D. 821, in 1824. Invented by Johann Georg Staufer in 1823, the arpeggione can be described as a kind of hybrid cello-guitar. It had frets and six strings tuned like those of a guitar, but was held like a cello and played with a bow.
The arpeggione would probably be completely forgotten today had not Franz Schubert written for it his famous Sonata in A minor, D. 821, in 1824. Invented by Johann Georg Staufer in 1823, the arpeggione can be described as a kind of hybrid cello-guitar. It had frets and six strings tuned like those of a guitar, but was held like a cello and played with a bow.
The arpeggione would probably be completely forgotten today had not Franz Schubert written for it his famous Sonata in A minor, D. 821, in 1824. Invented by Johann Georg Staufer in 1823, the arpeggione can be described as a kind of hybrid cello-guitar. It had frets and six strings tuned like those of a guitar, but was held like a cello and played with a bow.