4-CDs sporting Joni's complete recordings for Geffen during the '80s, including all four albums ( Wild Things Run Fast, Dog Eat Dog, Chalk Mark in a Rain Storm and Night Ride Home ) she recorded for the label plus some tasty rarities like a couple of demos, Two Grey Rooms and Good Friends , and a cover of Bob Dylan's It's All Over Now, Baby Blue that was recorded for the Night Ride Home sessions. And perhaps even more intriguingly for this elusive artist, Joni has provided a personal introduction and in-depth descriptions for each track. Rare photos, original artwork and 24-bit mastering complete the first of what we hope will be several Joni Mitchell boxed sets to come!
Nearly unrecognizable as the work of the one-time punk rock outfit, Night Drive is effectively Chromatics' third debut album in a row, following a wholesale transformation in sound and style and yet another lineup change: Adam Miller is again the sole constant member; vocalist Ruth Radelet is a new addition even since the 2006 teaser Nite, replacing Lena Okazaki, while Glass Candy's Johnny Jewel, who produced that single, is now a full-fledged member. Actually, this seems to be Jewel's record more than anyone's – in the silver-screen conceit of the liner notes he's listed as director to Miller's screenwriter, though he also has a writing credit on all the record's originals, only four of which (the vocal songs) Miller co-wrote – indeed, Jewel is emerging as the primary musical force behind much of the Italians Do It Better label. Among that camp of synthesizer-disco revivalists, Chromatics stand out as the most lush and cinematic, drawing on the more languorous, atmospheric aspects of '80s electronica to fashion a hazy imaginary soundtrack to a stylish, decadent noir film (as the album's visual presentation suggests) or just a lonely late-night drive (as per the opening "Telephone Call").