"the Kinks"

Low Budget doesn't have a narrative like Preservation or Soap Opera, but Ray Davies cleverly designed the album as a sly satire of the recession and oil crisis that gripped America in the late '70s - thereby satisfying his need to be a wry social commentator while giving American audiences a hook to identify with. It was a clever move that worked; not only did Low Budget become their highest-charting American album (not counting the 1966 Greatest Hits compilation), but it was also a fine set of arena rock, one of the better mainstream hard rock albums of its time. And it certainly was of its time - so much so that many of the concerns and production techniques have dated quite a bit in the decades since its initial release. Nevertheless, that gives the album a certain charm, since it now plays like a time capsule, a snapshot of what hard rock sounded like at the close of the '70s…

Low Budget doesn't have a narrative like Preservation or Soap Opera, but Ray Davies cleverly designed the album as a sly satire of the recession and oil crisis that gripped America in the late '70s - thereby satisfying his need to be a wry social commentator while giving American audiences a hook to identify with. It was a clever move that worked; not only did Low Budget become their highest-charting American album (not counting the 1966 Greatest Hits compilation), but it was also a fine set of arena rock, one of the better mainstream hard rock albums of its time. And it certainly was of its time - so much so that many of the concerns and production techniques have dated quite a bit in the decades since its initial release. Nevertheless, that gives the album a certain charm, since it now plays like a time capsule, a snapshot of what hard rock sounded like at the close of the '70s…