In the summers of 1903 and 1904, Mahler was as happy as ever in his life. Yet it was then he wrote his darkest music, the Sixth Symphony (which he himself may or may not have called the “Tragic,” though others certainly have) and the two final songs of the Kindertotenlieder (Songs on the Deaths of Children).
"Not since Don Cherry and Ed Blackwell joined forces have two musicians so organically wedded world music influences with free jazz. The resultant music is connected to history and culture yet true to its contemporary American roots. And the rhythms groove so deeply that if dance-club DJs got hold of this CD, all America would be moving to it." – JAZZIZ
Volume 2: Summer Snow represents the second immaculate studio session of two of the greatest musical beings America has to offer the world. The recent expanded issue of their first duo meeting–First Communion + Piercing The Veil: Volume 1 Complete–displayed their eternal prowess via intensity in full, redefining drum & bass in any music. Summer Snow reveals Parker and Drake in a more meditative state, with Parker focusing on the doson'ngoni (Mali hunter's guitar) and shakuhachi (Japanese bamboo flute). Five years have passed since their first meeting, and a whole lot has changed, so catch up! – Amazon
The Jazz Sluts are Nico Ramsden on guitar, Mick Parker on keyboards, Andy Hamilton on sax, Mark Smith on bass and Jeff Seopardie on drums. The LP was released on Coda Records in 1985.
To speak about this extensive set of music allegorically, "Space 'n' Bass" is like an aquarium full of beautiful and varied tropical fish, each interesting in it's own way, whether breathtakingly colorful, exotically compelling or curiously fascinating. And by the very nature of the mediums, both the fish in the imaginary aquarium and the music in these CDs achieve relaxing and beautiful movement via endless repetition and effectively enjoyed for limited time periods only. This is not to say that "Space 'n' Bass" is boring; it boasts an impressive array of ambient electronica offering ample doses of acid jazz, jungle, world-beat and beat-box percussive underpinnings, a nice balance of analog, digital and sampled textures, a smattering of other instruments, infectious bass patterns and surprising aural constructions…