The four-disc set Surf-Age Nuggets: Trash & Twang Instrumentals 1959-1966 plays like the flip side to Rhino's classic surf music box set Cowabunga!, and for good reason: that set's co-producer, James Austin, helmed this project, and his passion and encyclopedic knowledge of surf music from its greats to its most obscure acts is a big part of what makes this collection such a thrill. Where Cowabunga! concentrated on surf's stars, Surf-Age Nuggets digs deep; for every song by Dick Dale, there are many more by lesser-known but just as devoted acts such as the Ramrods, the Telstars, the Mosriters, and the Elite U.F.O. (!).
This collection of instrumentals offers a stark reminder of the sheer mind-boggling scope of David Bowie's sound and vision. Most of these 16 brooding soundscapes are plucked from Bowie's hugely influential 1977 albums, Low and Heroes. Taking his cue from Kraftwerk, Bowie enlisted ambient pioneer Brian Eno and decamped to Berlin. It's no exaggeration to say that the resulting albums were integral in defining the path of modern music. Throughout, there's a palpable sense of foreboding, perhaps best exemplified by "Sense of Doubt," a truly unsettling mesh of booming piano and spookily spiraling synths. That the Thin White Duke's Berlin material still dazzles is no surprise. However, it's the remarkable revelation–provided by a clutch of slightly more recent tracks–that he can still cut it that'll hearten disillusioned Bowie fans everywhere.
This collection of instrumentals offers a stark reminder of the sheer mind-boggling scope of David Bowie's sound and vision. Most of these 16 brooding soundscapes are plucked from Bowie's hugely influential 1977 albums, Low and Heroes. Taking his cue from Kraftwerk, Bowie enlisted ambient pioneer Brian Eno and decamped to Berlin. It's no exaggeration to say that the resulting albums were integral in defining the path of modern music. Throughout, there's a palpable sense of foreboding, perhaps best exemplified by "Sense of Doubt," a truly unsettling mesh of booming piano and spookily spiraling synths. That the Thin White Duke's Berlin material still dazzles is no surprise. However, it's the remarkable revelation–provided by a clutch of slightly more recent tracks–that he can still cut it that'll hearten disillusioned Bowie fans everywhere.
Big Thief's Adrianne Lenker releases songs and instrumentals on 4AD. songs and instrumentals are two distinct collections, both written and recorded in April after Big Thief’s March tour was abruptly cut short due to coronavirus. After returning to the states from Europe, Lenker decamped to a one room cabin in the mountains of western Massachusetts. This recording is 100% analog-analog-analog (AAA). No digital process was used in the production of this sound recording. The album’s stunning artwork are watercolour paintings done by Adrianne’s grandmother, Diane Lee.
Big Thief's Adrianne Lenker releases songs and instrumentals on 4AD. songs and instrumentals are two distinct collections, both written and recorded in April after Big Thief’s March tour was abruptly cut short due to coronavirus. After returning to the states from Europe, Lenker decamped to a one room cabin in the mountains of western Massachusetts. This recording is 100% analog-analog-analog (AAA). No digital process was used in the production of this sound recording. The album’s stunning artwork are watercolour paintings done by Adrianne’s grandmother, Diane Lee.