#81

Depeche Mode - The Singles 81-98 (2001) [3CD BoxSet] {Mute / Venusnote}
EAC rip (secure mode) | FLAC+CUE+LOG -> 1.21 Gb | MP3 @320 -> 395 Mb
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© 2001 Mute / Venusnote | LC5834 / PM 601
Rock / Synth Pop / Alternative Pop / Alternative Dance

Deluxe three CD repackaging of both Depeche Mode singles collections (the single disc 81-85 and the double disc 86-98) housed in an exclusive box. This triple disc set contains all of the A-sides of the British Synth Pop band's singles from 'Dreaming Of Me' to 'Only When I Loose Myself'. Apart from including a few non-album singles, the versions of many songs featured on these discs are the single mixes which often differed from the album versions. This is a must-have for hardcore DM fans as well as those just getting started. 38 tracks total including 'Enjoy The Silence', 'Just Can't Get Enough', 'People Are People', 'Personal Jesus', 'Get The Balance Right' and many more.

Frank Zappa - Halloween 81 (2020) {6CD Set, Zappa Records ZR 20034}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.82 Gb | MP3 @320 -> 0.98 Gb
Full Artwork @ 300 dpi (jpg) -> 103 Mb | 5% repair rar
© 1981, 2020 Zappa Records / UMe | ZR 20034
Rock / Experimental Rock / Avant-Garde / Art Rock / Jazz Rock

By 1981, Frank Zappa’s Halloween shows in New York were already legendary – a rock and roll bacchanalia of jaw-dropping musicianship, costume-clad revelry, spontaneous theatrical hijinks and of course a heavy dose of Zappa’s signature virtuosic guitar workouts. Eagerly anticipated every year, fans never knew exactly what was in store but knew it would be of epic proportions and one-of-a-kind experience that only Zappa and his skilled group of musicians could provide. When Zappa returned to The Palladium in NYC in 1981 for a five-show four-night run from October 29 to November 1, the nearly-annual tradition was even more anticipated than usual as the 1980 concerts were cut short due to Zappa falling ill. Curiously there was no fall tour the previous year and thus no Halloween shows.

“Welcome to the unique, enduring phenomenon of the Grateful Dead in New York City, a mutual devotion, forged in concert, that ran for nearly as long as the band itself—from June 1, 1967, a free show in Tompkins Square Park on the Lower East Side (ahead of the band’s official, local bow at the Cafe Au Go Go), to the Dead’s last Garden run, six nights in October 1994… the Dead’s affinity for New York City… was instant and arguably their most profound with any city aside from San Francisco.” - David Fricke

In a Detroit classroom, two budding musicians with a love of soul and jazz became acquainted, they were guitarist Earl Klugh and drummer Gene Dunlap In 1978 Earl was a featured artist for Blue Note on an album “Blue Note Meets The L.A. Philharmonic” supported by Gene on drums. As Earl became more established as a solo performer, Gene played for him on professional dates and the affiliation continued through Earl’s solo recordings with United Artists and Liberty, part of the Capitol Records family of labels. It was Earl who took Gene to Capitol in 1981 for the two albums presented here.
“It’s Just The Way I Feel” and “The Party In Me” come from 1981, both albums ooze the quality of the period and with the benefit of Gene’s contributions in the songwriting came the classic recordings on both.

“It’s Just The Way I Feel” and “The Party In Me” come from 1981, both albums ooze the quality of the period and with the benefit of Gene’s contributions in the songwriting came the classic recordings on both. Featured vocalists include The Ridgeway Sisters (formerly Sweet Cream) and Philippe Wynne (Detroit Spinners).