#81

Karlheinz Stockhausen - Punkte (2004) {Stockhausen-Verlag No. 81}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 183 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 300 dpi (png) -> 31 Mb | 5% repair rar
© 2004-2005 Stockhausen-Verlag | Stockhausen 81
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

WALLENSTEIN were a band that transcended a number of musical styles during their decade-plus of existence, from early krautrock to symphonic to space rock toward the end of their existence…

Quand Goldman fait les choses, il ne les fait pas à moitié. Une fois de plus, ce coffret de 8 CDs permet de se plonger dans quelques antiques et innoubliables mélodies et de découvrir, également quelques rares perles inédites. Ajouter à ceci de beaux livrets agrémentés par des photos de Claude Gassian et l'objet (car il s'agit là d'un bel objet) en a que plus de valeur. Goldman se met en Huit, pour le bonheur des collectionneurs et surtout des oreilles.

A labour of love that will be a true godsend for longtime Groovies and newcomers alike, Between the Lines: The complete Jordan/Wilson Songbook '71-'81compiles, for the first time ever, all the original songs written by Groovies Cyril Jordan and Chris Wilson in the classic second version of the band. The Groovies gave themselves a major reboot in 1971 when a then 18-year-old Chris Wilson replaced Roy Loney as the band’s frontman and Cyril Jordan’s writing partner. This was the formation of the group that made that journey to England at the behest of UA – helping set the scene for punk – and which, with a couple of line-up changes along the way, ended up signing to Sire Records and making three brilliant albums – Shake Some Action, Now, and Jumpin’ In The Night – before eventually running out of steam following Wilson’s departure in 1981. It’s the incarnation that headlined over the Ramones in London on July 4 1976 in London, but which then had to settle for being a massive influence on the nascent form of both power pop and all manner of ’60s influenced groups after the dictates of a post-punk world decided that their glorious rock’n’roll was not going to be the next big thing.