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The SOULFIRE LIVE! Blu-ray video edition will include Little Steven and the Disciples of Soul’s complete Cavern Club concert alongside video performances of each song on the 3CD set, exclusive interviews, and behind-the-scenes footage. In addition, the Blu-ray edition will feature a special documentary about the Cavern Club…

Denny Zeitlin - Both/And: Solo Electro-Acoustic Adventures (2013) {Sunnyside SSC 1352 rec 2003-2012}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 408 Mb | MP3 @320 -> 175 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 2003-12, 2013 Sunnyside Communications | SSC 1352
Jazz / Electonic / Avant-Garde Jazz / Acoustic Piano / Synthesizers / Keyboards

Pianist Denny Zeitlin has the distinction—among many others—of having written one of the loveliest of loves songs: "Love Theme From Invasion of the Bodysnatchers." The tune can be heard in its unadorned beauty on Zeitlin's Precipice (Sunnyside Records, 2010), the recording of an extraordinarily beautiful and adventurous solo concert. The original version of the tune, from the soundtrack of the 1978 movie, Invasion of the Bodysnatchers (1978)—a masterful remake of the classic 1954 science fiction film—was Zeitlin's lone effort at writing for film. Hired originally to do a "jazz" score, Zeitlin found it necessary—when plans changed—to convince the powers-that-be that he was indeed capable of writing music for symphony orchestra and electronics—the then-new-on-the scene synthesizers.

Dr. John revived his "Night Tripper" persona at the 2006 Bonnaroo Festival. In the aftermath of Hurricane Katrina, his sense of urgency about Louisiana and the Gulf region allowed his spiritual persona free rein in concerts and interviews for the first time since the '70s. He wore the garb on-stage and brought his entire history as a musician to bear in his performances. He's become a full-fledged activist who does his part educating the world about his geography's unique significance as a musical, spiritual, and environmental territory. As an album, Tribal, employs some of the spookier elements of Dr. John's earlier recordings like Gris Gris, but it's all rooted in blues, funk, folk traditions, and R&B that have been at the heart of his musical career since the '50s.