鹿屋 商工会議所 2025

In celebration of one of the most dynamic and diverse periods ever in the singles charts, NOW are proud to present ‘NOW That’s What I Call An Era: The Sound Of The Suburbs’ – this special edition 4-CD features 80 tracks, spanning multiple genres that contributed to the rich diversity of the era – including punk, new wave, reggae, ska, mod and electronic – between 1977 and the end of 1980, and all of which would inspire the wave of new art and club influenced pop that would come to define the musical landscape of the early 80s….

A Ghost is Born 9-CD Deluxe Edition features Wilco's 2004 Grammy-winning album alongside alternates, outtakes, and demos, charting the making of the album, plus the complete 2004 concert recording from Boston’s Wang Center and the band’s “fundamentals” workshop sessions. The deluxe box includes 65 previously unreleased music tracks as well as a 48-page hardcover book with previously unpublished photos and a new liner notes by Grammy-winning writer Bob Mehr. “Another engrossing, unorthodox record," said Mojo. "With the low-key yet magnificent A Ghost Is Born Tweedy's offering plenty more reasons to believe in the redemptive powers of Wilco.” "Spectacular," Uncut exclaimed. "Their most engaging album yet." ** Wilco Store physical purchases of A Ghost Is Born will include a digital download of the matching tracklist on release day and an instant download of “Handshake Drugs (11/13/03 Sear Sound-NYC)”

Trevor Alfred Charles Jones (born March 23, 1949) is a composer of South African descent, active in the field of film and television dubbing, mainly in the UK. He is best known for his work from the 1980s and 1990s, having written music for many famous films, including Excalibur, Runaway Train, Dark Crystal, Labyrinth, Mississippi on Fire, The Last of the Mohicans, and In the Name of the Father. He has been recognized for his collaborations with such filmmakers as John Boorman, Andrei Konchalovsky, Jim Henson, Alan Parker, Jim Sheridan, Barbe Schroeder and Michael Mann.

OFT MACHINE 'FLOATING WORLD LIVE' notes by Sid Smith An indispensable record of a band at the top of their game…
The arrival of guitarist Alan Holdsworth into the ranks of Soft Machine in December 1973 marked a significant change in tone and style for the venerable jazz-rock institution. Having started out as an experimental pop group in the mid-1960s, Soft Machine had undergone several changes not only in its personnel but in its music. By the early 1970s albums such as Third, Fourth, boasting long-form compositions in complex and adventurous arrangements, secured their reputation as the UK’s leading jazz-rock performers.

OFT MACHINE 'FLOATING WORLD LIVE' notes by Sid Smith An indispensable record of a band at the top of their game…
The arrival of guitarist Alan Holdsworth into the ranks of Soft Machine in December 1973 marked a significant change in tone and style for the venerable jazz-rock institution. Having started out as an experimental pop group in the mid-1960s, Soft Machine had undergone several changes not only in its personnel but in its music. By the early 1970s albums such as Third, Fourth, boasting long-form compositions in complex and adventurous arrangements, secured their reputation as the UK’s leading jazz-rock performers.

Fragile Records in association with Esoteric Recordings are pleased to announce the release of a new 4-disc clamshell box set An Evening of Yes Music Plus, the classic live recording by Anderson, Bruford, Wakeman, Howe. At the close of the 1980s, fans of Progressive rock were delighted and surprised to learn that former members of Yes, namely Jon Anderson, Bill Bruford, Rick Wakeman and Steve Howe were reuniting to record a studio album and to tour the World. The resulting self-titled studio album was originally issued on Arista Records in 1989 and was a global hit. This release was followed by hugely successful world tour. A concert at the Shoreline Amphitheatre in Mountain View, California was captured both on video and in sound resulting in both a double CD and a long form video in 1993. The set features classic Yes material alongside live renditions of material from the ABWH self-titled album. This new remastered edition features the entire concert on two CDs, and also includes the full concert video on a region free DVD. Also included is an additional region free DVD, ‘In the Big Dream’, featuring promotional videos and interviews.

Included with the February 2025 issue (TAKE 335) of Uncut magazine. The Weather Station, The Delines, Richard Dawson, Sharon Van Etten & The Attachment Theory, Bonnie 'Prince' Billy and more feature on our latest free CD. The Weather Station, The Delines, Richard Dawson, Sharon Van Etten & The Attachment Theory, Bonnie ‘Prince’ Billy and more feature on our latest free CD. The 15-track compilation, Take A Load Off, showcases the month’s best new music, and comes with our issue dated February 2025.

The continuing collaboration of SOMM Recordings and Lani Spahr has produced another exciting release of long forgotten and neglected recordings, which highlight Sir Adrian Boult’s life-long championing of the music of Edward Elgar. The label remains grateful, as ever, to Spahr for resurrecting these lost treasures and for his sterling work on sound restoration.
On 17 February, 1918, in wartime London, a twenty-eight year old Adrian Boult visited the home of Sir Edward Elgar to discuss details for a performance of In the South that Boult was to conduct for the first time at Queen’s Hall the following evening. In 1944, in the midst of another war, Boult would again conduct the concert overture in a broadcast performance with the BBC Orchestra. SOMM Recordings is proud to include this performance on its release, Boult’s Elgar — The Forgotten Recordings.

On the occasion of the 40th anniversary of Modern Talking's first album, singer Thomas Anders surprised fans of the eurodisco group with a very special project. The singer has musically reinterpreted and re-sung the first six Modern Talking studio albums. The most successful duo in German pop history has gone their separate ways since 2003, but the Modern Talking songs, to which they are still dancing around the world today, remain immortal.

Intrada announces a 25th-anniversary edition of John Williams' Oscar-nominated score to the 2000 Columbia Pictures/Centropolis film The Patriot. Throughout Williams' long and treasured career he had developed a fresh, Americana voice, first coming to the fore in his 1969 score to The Reivers, then furthered a few years later with The Cowboys and quite powerfully in an unexpected place—-the Smallville sequences of Superman. It was a style that he would return to periodically and The Patriot provided a showcase for this style. The score involves three principal themes that correspond to protagonist Martin’s past, present, and future—the war trauma theme, the love theme and the patriot theme. As the themes weave throughout the score, Williams' beloved epic style is on full display, as well as exciting action music. It's all here in this lengthy and powerful work. Williams wrote his score for The Patriot over the course of about two months, a length of time he described as “fairly generous.” He then recorded the score over eight sessions between May 6 and May 20, 2000. For this expanded 3-CD set, producer Mike Matessino took a meticulous approach to restoring the score for full presentation as well as preserving the unique and artistic presentation of the original Hollywood Records album. As Matessino writes in in his producer’s note