내 Original Soundtrack

10cc's third album is their first after their break with novelty-minded pop impresario Jonathan King, and as a result, it's less cute and bouncy than either 10CC or SHEET MUSIC. This doesn't mean that the music is less melodic, or that the group's satiric intent is duller, but THE ORIGINAL SOUNDTRACK is a more subtle, mature record…

The soundtrack to the film Deep Red was mainly composed and performed by the Italian progressive rock band Goblin. Director Dario Argento had originally contacted jazz pianist and composer Giorgio Gaslini to score the film, but he was unhappy with his output, deeming it "awful". After failing to get Pink Floyd to write music for the film, Argento turned back to Italy and found Goblin. In the final score, only three of Gaslini's original themes were retained; however, in the film's original theatrical release, Gaslini was given full composer credit for the entire score, while Goblin were wrongly credited only as performers [i.e. "Music by Giorgio Gaslini, performed by Goblin"]. This was corrected in subsequent home video releases. In 2005 and, then, in 2016 the complete film soundtrack was re-released on CD under the supervision of Claudio Simonetti. This release includes all the music featured in the film, as well as a remix of the main theme and two sound effects tracks from the film itself.

We are proud to announce, for the first time ever, the release of the complete soundtrack to "A Charlie Brown Thanksgiving." Just in time for the 50th anniversary of the celebrated animated holiday television special, written and created by Charles Schulz, directed by Bill Melendez and Phil Roman and produced by Melendez and Lee Mendelson, this is the complete Vince Guaraldi score along with never-before-heard bonus material.

Tommy is a soundtrack album by The Who with contributions from numerous artists. The soundtrack was used in the 1975 Tommy film that was based on the original album that was released by The Who in 1969. Pete Townshend oversaw the production of this double-LP recording that returned the music to its rock roots, and on which the unrecorded orchestral arrangements he had envisaged for the original Tommy LP were realised by the extensive use of synthesiser…