내 Original Soundtrack

The soundtrack to the film Deep Red was mainly composed and performed by the Italian progressive rock band Goblin. Director Dario Argento had originally contacted jazz pianist and composer Giorgio Gaslini to score the film, but he was unhappy with his output, deeming it "awful". After failing to get Pink Floyd to write music for the film, Argento turned back to Italy and found Goblin. In the final score, only three of Gaslini's original themes were retained; however, in the film's original theatrical release, Gaslini was given full composer credit for the entire score, while Goblin were wrongly credited only as performers [i.e. "Music by Giorgio Gaslini, performed by Goblin"]. This was corrected in subsequent home video releases. In 2005 and, then, in 2016 the complete film soundtrack was re-released on CD under the supervision of Claudio Simonetti. This release includes all the music featured in the film, as well as a remix of the main theme and two sound effects tracks from the film itself.

The score to this beautiful movie (released as All About My Mother in the U.S.) was composed by Alberto Iglesias and recorded with the City of Prague Philharmonic under the production of Lucio Godoy. The haunting music leads the perfect mood to the film, which received critical acclaim at the Cannes Film festival and elsewhere.

Philip Glass' soundtrack to Martin Scorsese's Dalai Lama epic Kundun captures the grace, beauty, joy and melancholy within the film. Glass uses familiar minimalist structures, but works with traditional Tibetan instrumentation and monks, giving the music an alluringly otherworldly feel. It's an entirely original, evocative score, and one of Glass' high-water marks in the field.

Tommy is a soundtrack album by The Who with contributions from numerous artists. The soundtrack was used in the 1975 Tommy film that was based on the original album that was released by The Who in 1969. Pete Townshend oversaw the production of this double-LP recording that returned the music to its rock roots, and on which the unrecorded orchestral arrangements he had envisaged for the original Tommy LP were realised by the extensive use of synthesiser…