(2021)

THE REPRISE YEARS (1968-1971) features newly remastered versions of Joni Mitchell’s first four studio albums - Song To A Seagull (1968), Clouds (1969), Ladies Of The Canyon (1970), and Blue (1971). In the case of Song To A Seagull, the original mix has been recently updated by Mitchell and mixer Matt Lee.

Garbage will reissue a 20th anniversary edition of their third studio album, Beautiful Garbage, in October.

Stone Temple Pilots embraced experimentation and open-mindedness to record the band's third album, 1996's 'Tiny Music… Songs From The Vatican Gift Shop'. Released on 26th March 1996, the album is a pitch-perfect amalgamation of the band members' musical personalities, yielding three US #1 hits - 'Big Bang Baby', 'Lady Picture Show', and 'Trippin' On A Hole In A Paper Heart'. This deluxe edition features 15 unreleased tracks that pull back the curtain on the creative process. Those include early versions of nearly every song on the album with nascent incarnations of 'Tumble In The Rough', 'Pop's Love Suicide', and 'Seven Caged Tigers'.

Warner Music are pleased to announce the release of Help Yourself - Look at the View: An Anthology 1971-1973, a CD by the unsung heroes of British early ‘70s rock, HELP YOURSELF.

Éric Charles Heidsieck is a French classical pianist.Born in Reims, Heidsieck gave his first recital at the age of nine and his first concert with orchestra a year later.He studied with Marcel Ciampi then Alfred Cortot and followed Wilhelm Kempff's lessons on Beethoven.In 1959, he won the Grand Prix du Disque (EMI) for the recording of Mozart's Concerto No. 21 and No. 24. The following year, he and his wife Tania, also a pianist, founded a duo that shone on stages around the world.
In 1969, Heidsieck was the first French pianist of the 20th century to give, by memory and in public, Beethoven's 32 Sonatas, which he recorded with EMI Classics between 1970 and 1974 and again ten years later, then in 1997. He specializes in the performance and recording of integrals.Since the beginning of his career, Heidsieck has given more than 2000 concerts around the world. He has also given numerous masterclasses in France and abroad.In France, he has taught for 18 years at the Conservatoire national supérieur de musique et de danse de Lyon.From 1957 to 2004, he recorded about 100 discs.He is also the composer of several cycles of melodies.

14. September 2021 - Als Falco im Frühjahr 1986 mit der Arbeit an seinem vierten Studioalbum »Emotional« begann, war er einer der wenigen international erfolgreichen Künstler, die in deutscher Sprache sangen. Mit »Rock Me Amadeus« aus seinem Vorgängeralbum »Falco 3« erreichte er im März 1986 Platz 1 der Billboard Hot 100 Charts und ist damit der einzige Künstler, der diesen historischen Gipfel in den USA mit einem deutschsprachigen Song erreicht. Zusammen mit seinem Superstar-Status in den deutschsprachigen Ländern und im größten Teil Europas zeigt dies, welche Bedeutung ein neues Falco-Album für die Musikwelt zu dieser Zeit hatte.

Originally released in 1994, the band’s sixth album, I Say I Say I Say was produced by Martyn Ware of the Human League and Heaven 17 and their 4th UK number one album.
Featuring the hit singles ‘Always’, ’Run To The Sun’ and ‘I Love Saturday’, the deluxe 2CD is released in hard back book format with exclusive photos by the Douglas Brothers and brand new sleeve notes by Mat Smith.
CD1 features the original album, with the six original B-Sides, whilst CD2 includes 16 tracks including rare and unreleased remixes, BBC recordings, alternate mixes and demos.

The Breathtaking Blue is the third album by German synth-pop band Alphaville, released in 1989.

Adobe Zii is a small and great utility which helps you forget about all issues with the registration of all Adobe existing products

In the 1950s these recordings would have probably given a very up-to-date impression; the playing is extremely clean – there's never a hint of sentimental violin slides or over-use of the sustaining pedal. But nearly half a century later, perhaps we're more conscious of the old-world virtues – Schneiderhan's beautiful legato bowing and gentle vibrato, Kempff's full, unforced tone, and a flexible approach from both artists, with finely graded ritardandos and subtle variations of tempo.