Recorded between 1947 and 1952, the Charlie Parker With Strings albums showcased the legendary bebop saxophonist performing standards and ballads backed by a small classical string ensemble and jazz rhythm section. Although somewhat controversial when first released, the strings sessions are largely considered landmarks for orchestral jazz productions and rank among the best albums in Parker's discography.
The Ed Palermo Big Band is led by alto saxist and arranger Ed Palermo; he has had this big band with much of the same personnel for over 30 years, which is an impressive feat in itself, and has had his band performing the music of Frank Zappa for 20 years. There are a number of ensembles performing the music of Frank Zappa, who is now recognized as one of the great 20th century American composers, but no one does it with this ease, skill and originality! The band is a 18 piece ensemble of five woodwind players, four trumpeters, three trombonists, two keyboardists, guitar, violin, bass and drum. All of these musicians are NYC professionals, and they have been playing this music for years with Ed, because, like Ed, they recognize and appreciate the genius inherent in the huge body of Zappa's work, and they want to keep this great music alive and in front of the public. OH NO! NOT JAZZ!! consists of two discs: The first disc further explores Ed's distinctive, big band interpretations of the music of Frank Zappa, while the second disc features Ed's own, colorful compositions.
All the tunes recorded by this legendary label. Each volume represents one year's recording activity: 1937, 1938 and 1939. Featuring Lester Young, Buck Clayton, Jo Jones, among others. Newly remastered. I don't have much to say about this compilation. Hey, it's Count Basie from the late 1930s! What more need be said?! Just listen to the "skeletal" piano by the genius Count Basie. Talk about the use of white space! And, of course, that absolutely KILLER rhythm section! I will mention that all of the tracks are presented in the sequence they were recorded except for the alternate takes which are at the end of each disc respectively. Presumably, the alts presented here were recorded at the same time as the masters (as implied, though not overtly stated, in the booklet).