100 Blues

The always eclectic Maria Muldaur, whose previous albums have paid tribute to Shirley Temple and blues women of the '20s, takes another musical detour in this collection of songs associated with Peggy Lee. In addition to her cool, sexy, relaxed voice, Lee was arguably more talented than other vocalists from her era. As a songwriter she co-penned some of her own material, including the swinging "I'm Gonna Go Fishin'" with Duke Ellington, which features the witty double entendres that spice several other songs. Muldaur possesses a similar ability to purr ("Some Cats Know") or sizzle (an opening tour de force of "Fever" and "Black Coffee") without breaking a sweat. So this collection of 12 tracks, backed by a talented yet restrained eight-piece band, is a natural extension of her vocal strengths. The stylish, retro arrangements include vibes and big-band-styled horn charts that sound as authentic as if they were recorded in the '30s. Even though there are some finger-popping swing numbers (a zippy duet with Dan Hicks on Ted Shapiro's "Winter Weather" is especially peppy), a late-night, languid blues-jazz vibe dominates.

On April 21, 1988, two significant events occured in the Cradle of the Blues, Clarksdale, Missisippi. One was ZZ Top's dedication of a guitar made from a board from Muddy Waters' home to the Delta Blues Museum. Of equal significance were the incredible performances turned in by the "original" Muddy Waters Blues Band at John Mohead's Cotton Exchange Club. No overblown concert to mark the event, rather two authentic juke-joint shows by a special group of players, the likes of which invented the genre.
This two-CD set was distilled from those historic performances. Be warned! You'll hear crowd noise, clinking glasses, missed notes and feedback. You'll hear tade-ins and fade-outs, mainly because the original recording devices were not always operating at the right time…

Howlin’ Wolf, John Lee Hooker, Willie Mabon, B.B. King, Dinah Washington, Big Joe Turner, Muddy Waters and many others.

A superb and thrilling collection of early singles from one of the all-time blues greats, pioneering vocalist and harmonica player Junior Wells! Wells blended numerous styles including soul, gospel and even early rock on these early recordings some of which still remain his most identifiable sides including “Hoodoo Man,” “Lovey Dovey Lovey One,” “Messin’ With The Kid” and more!

This historic compilation of classic Chicago blues from six decades brought through contemporary recording terms is a loving, two-CD set of music that is not interpreted or reinvented as it is played faithfully to the core. A fairly set rhythm section featuring guitarist Billy Flynn, bassist Felton Crews, and drummer Kenny "Beedy Eyes" Smith, backs modern-day living legends like Billy Boy Arnold, Lurrie Bell, Billy Branch, and John Primer on tunes penned by both Sonny Boy Williamsons, Big Bill Broonzy, Big Maceo Merriweather, Elmore James, Howlin' Wolf, Muddy Waters, the Hooker Brothers, Buddy Guy, and others. Considerable help is given by harmonicist Matthew Skoller (brother of producer Larry Skoller,) keyboardist Johnny Iguana, vocalist Mike Avery (cousin of Magic Sam), and lead guitarist Carlos Johnson…

John Lee 'Sonny Boy' Williamson - The Story of the Blues (2004) {2CD Membran Music 222068-306}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 518 Mb | MP3 @320 -> 294 Mb
Full Artwork @ 300 dpi (png) -> 154 Mb | 5% repair rar
© 2004 Membran Music | 222068-306
Blues / Harmonica Blues

This artist was perhaps the most significant pioneer of the city-styled, horn-oriented blues harp – a style brought to perfection by Little Walter. Williamson adapted the country-styled, chordal-rhythmic technique that he learned from Noah Lewis and Hammie Nixon to suit the demands of the evolving urban blues styles. These 42 tracks include Sonny Boy's records and sport an imposing list of sidemen: Robert Nighthawk, Big Joe Williams, Henry Townsend, Walter Davis, Yank Rachell, Big Bill Broonzy, and Speckled Red. This is a definitive collection.

Jays Blues is a fine collection of early-'50s jump blues sides that Jimmy Witherspoon cut for Federal Records. This 23-track collection offers a good retrospective of one of Witherspoon's most neglected – and admittedly, uneven – periods.

Bergen Blues Band (1974 - 1984) was a Norwegian blues band from Bergen, Norway. The band was founded and led by John Magnar Bernes (vocalist and harmonica player, alias «Hungry John»), along with Per Jørgensen on guitar (replaced by Ole Thomsen in 1981), Kåre Sandvik on piano (1974–81), Edvard Askeland bass (replaced by Rune Rønning in 1981, and later Atle Mjørlaug 1983), and Frank Jakobsen drums (replaced by Willy Korneliussen in 1976). Zoltan Vincze joined the band together with Per Jørgensen in 1983.