Neil Young established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. The Rock and Roll Hall of Fame website describes Young as "one of rock and roll's greatest songwriters and performers". He was inducted into the Hall of Fame twice, first as a solo artist in 1995, and second as a member of Buffalo Springfield in 1997. From the beginning of his solo career in the late '60s through to the 21st century, he never stopped writing, recording, and performing; his official catalog only represented a portion of his work, since he kept countless tapes of unreleased songs in his vaults. This release includes live performances of Neil Young at the Canadian National Exhibition Grandstand, Toronto, August 18, 1988; Santa Cruz, November 2, 1987; The World, Nyc, April 19, 1988; Jones Beach, August 27, 1988; Auburn Hills, September 4, 1988.
Eric Gales was hailed as the second coming of Jimi Hendrix when he first hit the blues circuit, an anointment that carries with it impossible pressures, and while Gales is a wonderful guitarist (naturally right-handed, he was taught to play the guitar left-handed, an odd thing, but again, Hendrix-like), he isn't Hendrix, nor will he or anyone ever be. Working out of the power trio format, Gales has more than proven he can play on his many albums, but his voice is average at best, and his songs tend toward the generic, often more like vehicles for guitar leads than actual songs that are crying out to be sung. That's why Ghost Notes is so intriguing, because it's Gales' first all-instrumental album, and therefore it bypasses his weaknesses as a performer and plays to his strengths – the man sure can play guitar.
Fusion jazz is a genre I would normally not expect to come from arctic Finland. Guitarist Tuppu Orrenmaa must have decided to hit it really big on his third album with his Orrenmaa Band, hiring a genuine who-is-who of the international jazz scene. All drums on Make My Day were played by the legendary Billy Cobham, who should be known even to novices for his collaborations with artists like Miles Davis and Mahavishnu Orchestra. The horns section of Tower Of Power, another American collective of artists with cult status, can be heard on six songs. This is also the first time they can be heard together with Billy Cobham on a record.