Raymonda is a grand ballet in three acts, four scenes with an apotheosis, originally choreographed by Marius Petipa to the music of Alexander Glazunov (his opus 57) and libretto by Lydia Pashkova. Raymonda was created especially for the benefit performance of the prima ballerina Pierina Legnani, and first presented by the Imperial Ballet at the Imperial Mariinsky Theatre on 19 January [O.S. 7 January] 1898 in Saint Petersburg, Russia. Among the ballet's most celebrated passages is the Pas classique hongrois (a.k.a. Raymonda Pas de dix) from the third act, which is often performed independently.
This budget-priced, four-disc set from the Real Gone Music label arrives stocked with eight complete, remastered albums (two on each disc) from the legendary guitarist and producer, including Chet Atkins' Gallopin' Guitar (1952), Stringin' Along With Chet Atkins (1953), Session With Chet Atkins (1954), In Three Dimensions (1955), The Finger Style Guitar (1956), Hi Fi In Focus (1957), At Home (1957), and In Hollywood (1957).
Jam Session [Recorded 1952]. Jam Session was compiled from a 1952 jam session which brought together three of history's greatest alto saxophonists; Parker, Johnny Hodges and Benny Carter, as well as Ben Webster and Flip Phillips on tenor sax. Orchestrated by Norman Granz to come as close to an authentic jam session as possible, this is the first of the Jazz at the Philharmonic series. The album includes an original blues tune ("Jam Blues"), a medley of ballads selected by each musician, and a mellow blues tune called "Funky Blues." The standard "What is This Thing Called Love," stands out particularly for its follow-the-leader style ending, with each musician trading fours. Interestingly, the meeting of these three greats, with their widely varying styles, results not in spectacular and fiercely competitive playing, but rather in a slight muting and sense of reserve from all three…
Since January 2007 the Stockhausen-Verlag is releasing Text-CDs of a new series: lectures which Stockhausen has given since 1952. The edition is limited to 300 copies per release. He wrote and spoke these lectures in German. Most of them are supplemented with musical examples.
From the Notes: Taken as a whole, this substantial, important collection gives us a stimulating, revelatory cross-section of Horenstein's conducting over a span of sixteen years. Although many of his commercial recordings date from the same period, we are nonetheless presented with performances both supplementary and complementary to those already available, sinificantly filling our our aural image of Horenstein's accomplishments. May it prove to be but the first of many such surveys of his art to appear. Written by Joel Lazar, Horenstein's personal assistant during the last two years of the legendary Maestro's life, the only young conductor ever to serve in this capacity