1962 Olé Coltrane

John Coltrane - Coltrane (1962) {Impulse!-Verve Originals 0602517486287 rel 2007}
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© 1962, 2007 Impulse! / Verve / UMG | Verve Originals Series | 0602517486287 | LP AS-21
Jazz / Post Bop / Hard Bop / Modal Music / Saxophone

Considered by many to be his finest single album, Coltrane finds John Coltrane displaying all of the exciting elements that sparked brilliance and allowed his fully formed instrumental voice to shine through in the most illuminating manner. On tenor saxophone, he's simply masterful, offering the burgeoning sheets of sound philosophy into endless weavings of melodic and tuneful displays of inventive, thoughtful, driven phrases. Coltrane also plays a bit of soprano saxophone as a primer for his more exploratory work to follow. Meanwhile, bassist Jimmy Garrison, drummer Elvin Jones, and especially the stellar McCoy Tyner have integrated their passionate dynamics into the inner whole of the quartet.

NEA Jazz Master Dave Liebman has always declared that if he had to name one primary influence and inspiration, it would be John Coltrane. The first time he saw Coltrane at Birdland in February 1962, he was 15 years old. As he recounts in his autobiography, What It Is (as told to yours truly), that was the night he saw the light, though he didn’t realize it for years. “Once you see the light,” he explains, “you can never turn away from it, though you may try. I went to see Coltrane from then on, anytime I could.”

NEA Jazz Master Dave Liebman has always declared that if he had to name one primary influence and inspiration, it would be John Coltrane. The first time he saw Coltrane at Birdland in February 1962, he was 15 years old. As he recounts in his autobiography, What It Is (as told to yours truly), that was the night he saw the light, though he didn’t realize it for years. “Once you see the light,” he explains, “you can never turn away from it, though you may try. I went to see Coltrane from then on, anytime I could.”

The fate of the music underground tunnel where radio monopolies were confined these threatening cultural revolutions. Nova catching mix of cult songs like White Rabbit, the acid trip of fifteen years before Jefferson Airplane and Devotion by John McLaughlin, one of the pioneers of jazz-rock fusion. 1981 and the lyrical and modernist breakthroughs of the new wave, Tuxedomoon. And his French electronics Heldon, with already big his New York Material, the group of Bill Laswell, a fellow traveler.