1990 It Takes Two

Anton Rubinstein was a towering figure of Russian musical life, and one of the 19th century’s most charismatic musical figures. Rivalled at the keyboard only by Liszt, he was near the last in a line of pianist-composers that climaxed with Liszt, Busoni, and Rachmaninov. Like them, Rubinstein’s reputation as a composer in his day was more controversial than his reputation as a performer. But unlike them, his vast compositional output, much of it containing music of beauty and originality, still remains relatively unexplored territory. Rubinstein was one of the most prolific composers of the 19th century, with a catalogue of works ranging from several hundred solo piano compositions, to concertos, symphonies, chamber music, operas, choral works, and songs.

Pianist Nina (Juliet Stevenson) and cellist Jamie (Alan Rickman) played together and loved together. When they weren't making music with each other, they made love. It was an idyllic romantic and musical partnership, and when Jamie dies, Nina takes it very hard. The condolences of friends and relatives don't help much when everything in the apartment they shared reminds her of him. She's a real basket case, and can barely get on with her life. One day, while plunking dejectedly on the piano, Nina looks up to discover Jamie, in ghostly form, lively as ever and just as loving. With a few new wrinkles (such as parties which include Jamie's newfound ghost friends), they resume living their relationship almost as before. Nina's friends are puzzled at her change from suicidal despondency to giddy cheefulness, but Jamie has pledged Nina to secrecy about their renewed relationship. For that reason, she cannot find any good excuses for not responding to the romantic advances of a living man, Mark (Michael Maloney).

The Cape Verdean singer was the preeminent force of morna music, which combines fado, jazz, and Latin.

This double-CD set gave bassist Milt Hinton an opportunity to engage in reunions with many of his old friends from the 1930s. The seven sessions were compiled during a 12-month period and the results are often delightful. The opening "Old Man Time" is sung by Hinton himself, and it is both insightful and humorous. The other highlights include Joe Williams singing "Four or Five Times" (which features some very rare Flip Phillips clarinet), three bass guitar duets with Danny Barker, appearances by Dizzy Gillespie, Lionel Hampton, Clark Terry, Al Grey, Ralph Sutton, and the formation of a group called "The Survivors" that has guitarist Al Casey at age 75 being the youngest member; the latter band also includes 85-year-old trumpeter Doc Cheatham, Eddie Barefield, Buddy Tate and even Cab Calloway. A lot of storytelling takes place during the songs and, in addition to the 92½ minutes of music, there are two "Jazzspeaks." The 13-minute one features Hinton, Calloway, Cheatham and Barefield reminiscing about their experiences in the early days, while a marvelous 45-minute monologue by the bassist covers most of his long and productive life and is consistently fascinating. Highly recommended.