1990 It Takes Two

Maxi Dance Sensation is another great compilation of current dance tracks that can easily become classics 90's. Enjoy!

Follow-up volumes appeared in 1993 and 1996, extending the time period to 1979 and with additional songs from the 1972-76 period, available on cassette or CD (ALL 25 volumes were issued in both formats). Each volume has twelve songs. Despite the greater capacity of compact discs, the running time of each of the volumes is no longer than the limit of vinyl records in the 1970s, from 38 to 45 minutes long.

Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get Armstrong and Ellington into a recording studio to make an album together. On April 3, 1961, producer Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at RCA Victor's Studio One on East 24th Street in Manhattan, using a sextet combining Duke Ellington with Louis Armstrong & His All-Stars. This group included ex-Ellington clarinetist Barney Bigard, ex-Jimmie Lunceford swing-to-bop trombonist Trummy Young, bassist Mort Herbert, and drummer Danny Barcelona. A second session took place during the afternoon of the following day.

King Missile is an American avant-garde art rock band best known for their 1992 song "Detachable Penis". Formed in 1986, vocalist John S. Hall has fronted several incarnations of the band since then.

Anton Rubinstein was a towering figure of Russian musical life, and one of the 19th century’s most charismatic musical figures. Rivalled at the keyboard only by Liszt, he was near the last in a line of pianist-composers that climaxed with Liszt, Busoni, and Rachmaninov. Like them, Rubinstein’s reputation as a composer in his day was more controversial than his reputation as a performer. But unlike them, his vast compositional output, much of it containing music of beauty and originality, still remains relatively unexplored territory. Rubinstein was one of the most prolific composers of the 19th century, with a catalogue of works ranging from several hundred solo piano compositions, to concertos, symphonies, chamber music, operas, choral works, and songs.

Pianist Nina (Juliet Stevenson) and cellist Jamie (Alan Rickman) played together and loved together. When they weren't making music with each other, they made love. It was an idyllic romantic and musical partnership, and when Jamie dies, Nina takes it very hard. The condolences of friends and relatives don't help much when everything in the apartment they shared reminds her of him. She's a real basket case, and can barely get on with her life. One day, while plunking dejectedly on the piano, Nina looks up to discover Jamie, in ghostly form, lively as ever and just as loving. With a few new wrinkles (such as parties which include Jamie's newfound ghost friends), they resume living their relationship almost as before. Nina's friends are puzzled at her change from suicidal despondency to giddy cheefulness, but Jamie has pledged Nina to secrecy about their renewed relationship. For that reason, she cannot find any good excuses for not responding to the romantic advances of a living man, Mark (Michael Maloney).