The Coincidentalist is Howe Gelb's first solo album since 2011's Alegrias, and his debut for New West Records. In 2012, his ever-evolving Giant Sand issued the sprawling "country rock opera" Tucson, which marked his return to the desert after spending most of the previous decade in Denmark. Self-produced, The Coincidentalist is a mostly low-key affair with a stellar mix by John Parish. As has been his M.O. for most of the last three decades, Gelb enlists a fine cast of co-conspirators: longtime bassist Thoger Tetens Lund, former Sonic Youth drummer Steve Shelley, M. Ward on lead guitar, and the Silver Thread Trio (Gabrielle Pietrangelo, Laura Kepner-Adney, and Caroline Isaacs) on chorus vocals.
People, Hell and Angels is a collection of quality studio tracks recorded (mostly) in 1968-1969 as the Experience was coming to an end and Jimi was renewing his friendships with Billy Cox and Buddy Miles, who appear here as sidemen on most of these tracks. The surprising thing about this set is not the sound quality (which is exceptional) or that these all sound like finished tracks, but the fact that even avid Hendrix bootleg collectors are unlikely to have heard most of this material.
A great version of "Earth Blues" kicks things off with just Jimi, Billy, and Buddy (whose drums were replaced by Mitch Mitchell on the Rainbow Bridge/First Rays version). It's a more forceful take than the other version and also has some different lyrics…
A new edition of XTC’s classic 1992 album, the first in a series of XTC albums to get the deluxe remix treatment. Featuring new stereo and 5.1 surround sound mixes made from the original multitrack tapes by Steven Wilson. Also included is the original stereo mix, instrumental mixes, and other bonus material. SW produced the new mixes with the input of founder band member Andy Partridge and the full approval of the band.
Gregorian Journey (2012). Gregorian Journey is an album that draws on a variety of complementary musical traditions, but features Gregorian Chant as a common theme throughout. The depth of spirituality and tradition therein has been combined with more contemporary chill and ambient styles to provide an hour of blissful listening full of sacred mysticism and ancient wonder…
After celebrating his 2012 Grammy-winning "Echoes of Love", Omar softens the mood to serenade us with the romantic melodies of "Daytime Dreamer". Featuring six brand new tracks and five previously released selections, the familiar splashes of Omar's signature world textures (oud, duduk, violin and guitar) weave back and forth in a sublime dance with his exquisite piano compositions.
Released in 1970, Just a Little Lovin' was the fourth (and last) studio album Carmen McRae cut for Atlantic Records in the late '60s/early '70s. The albums were for the most part a mix of pop and jazz songs with a decidedly pop angle. Just a Little Lovin' isn't too different, though it leans more toward the soulful end of the street. Producer Arif Mardin put McRae together with the Dixie Flyers studio band, backup singers extraordinaire the Sweet Inspirations, and an all-star horn section led by King Curtis, and then let her loose on the usual Beatles covers (a lifeless "Something," a very relaxed and sensual "Here, There and Everywhere," and a dramatic take on "Carry That Weight") and pop tunes like Jimmy Webb's "Didn't We" and Laura Nyro's "Goodbye Joe"…