A master of the kora (21-string West African harp), Toumani Diabaté has brought the traditional music of his native Mali to the attention of an international audience with a series of well-received solo albums and some unlikely, but acclaimed, collaborations. Although he came from a family of musicians, Diabaté (born August 10, 1965) taught himself to play the kora at an early age, as his father, who also played the instrument, was often away touring. He developed a style of playing that, while being strongly rooted in the Malian tradition, is also open to a wide range of other influences, such as jazz and flamenco. He has subsequently sought out other musicians from around the world who are willing to experiment with him, even performing a concert in Amsterdam with a classical harpist.
Yuki Kajiura is a Japanese composer and music producer. She has provided the music for several popular anime series, such as the final Kimagure Orange Road movie.
Thomas Earl Petty was an American singer-songwriter, multi-instrumentalist, record producer, and actor. He was the lead singer of Tom Petty and the Heartbreakers, formed in 1976. He previously led the band Mudcrutch, and was also a member of the late 1980s supergroup the Traveling Wilburys…
The first ever comprehensive box-set of the greatest Jazz vibes-players in history - 18 original albums documenting the history of Jazz-vibes from Swing to Hard Bop and Featuring Lionel Hampton, Milt Jackson, Bobby Hutcherson, Roy Ayers, Cal Tjader and more…
Paris-based Soror Dolorosa creates raw and hungry gothic rock inspired by post-punk, death rock and cold wave. French for ‘Sister Pain’, Soror Dolorosa was formed in 2001 by vocalist Andy Julia. Taking its name from the novel “Bruges-la-morte” by Flemish symbolist writer Georges Rodenbach, Soror Dolorosa channels its inspiration’s strong undercurrents of passion, nostalgia and mourning, transferring those powerful emotional states into its music and live performances. These signature elements of the group’s sonic formula are heard in its muscular songs, jangling guitars, overdriven bass lines, driving rhythms and Julia’s distinctive, dramatic vocal style.