Decca have sportingly given the competition 18 months' free run with Schnittke's Concerto Grosso No. 4/Symphony No. 5. But fine though the Gothenburg/Jarvi performance is, the new recording surpasses it. In Schnittke's world expressive urge and structural constraint will never unite in total wedded bliss, but in the Fifth Symphony (for short) the thing they produce is certainly bigger than the both of them. I won't rehearse the description I gave in my review of the BIS issue, save to say that it progresses from Stravinskian concerto grosso, through Mantovani-with-a-nervous-breakdown pastiche (based on the teenage Mahler's unfinished Piano Quartet) to full-blown tragic symphony echoing archetypes from Mahler's Fifth and Sixth Symphonies.
Dead Meadow's unique marriage of Sabbath riffs, dreamy layers of guitar-fuzz bliss, and singer Jason Simon's high-pitched melodic croon have won over psychedelic pop/rock and stoner rock fans alike, while elements of folk and pop would creep into their formula over time. Although the band's members met while attending all-ages shows in and around Washington, D.C.'s punk/indie scene, the trio draws more of its sound from such classic rock legends as Pink Floyd and Black Sabbath. The trio formed in the fall of 1998 out of the ashes of local indie rock bands the Impossible 5 and Coulour, with singer/guitarist Simon, bassist Steve Kille, and drummer Mark Laughlin. The three members set out to fuse their love of early-'70s hard rock and '60s psychedelia with their love of fantasy and horror writers J.R.R. Tolkien and H.P. Lovecraft. Collection includes: "Dead Meadow" (2000); "Howls From The Hills" (2001); "Got Live If You Want It!" (2002); "Shivering King And Others" (2003); "Feathers" (2005); "Old Growth" (2008); "Three Kings" (2010); "Warble Womb" (2013).
From a novel by author Elizabeth Taylor comes the inspiration for Angel, the second English-language film by French director Francois Ozon. In many ways a throwback to the grand romances of Hollywood's Golden Age, Angel also features a wider range of sensibilities that would seem to attract attention from modern arthouse crowds. The story follows the life of young author Angel Deverell, whose force of will leads the audience on a journey from the imaginative aspirations of her youth all the way through her eventual death. A fierce personality for Angel and the story's willingness to toss in a tart now and then provide the film with spicy interest. Angel marks the fifth collaboration (since 2003) between Ozon and young French composer Philippe Rombi, who has shown the talent and promise of an international career that is yet unrealized. Without a doubt, Angel is the biggest spectacle to come out of Rombi's career as of yet, contributing to a belief that he very well could be an extension of (or replacement for) the late master of French romanticism, Georges Delerue. In many ways, Angel will be an absolute delight for fans of Delerue, mostly due to Rombi's unashamed, lyrical devotion to his three themes for the film.
The Grateful Dead's May 8th, 1977, gig at Cornell University is widely considered the ne plus ultra of Dead bootlegs. This 14-disc set, packed in a psychedelic sarcophagus, documents five gigs from later that month…
"Emotion" is the twenty-third studio album released by Barbra Streisand. It was released on October 9, 1984, and went platinum in the United States on December 18 the same year. This album was recorded in eleven studios in Los Angeles and two in New York with a multitude of producers and writers. The album was promoted by a music video of the title track "Emotion", starring Streisand, The Who's Roger Daltrey and Mikhail Baryshnikov. "Left in the Dark" also received a music video, reuniting Streisand with Kris Kristofferson, her costar from A Star Is Born. The album peaked at #19 on the US chart and has been certified Platinum by the RIAA. According to the liner notes of Barbra's retrospective box set, Just for the Record, the album also received a record certification in the Netherlands.
Throughout 1969 and into 1970, CCR toured incessantly and recorded nearly as much. Appropriately, Cosmo's Factory's first single was the working band's anthem "Travelin' Band," a funny, piledriving rocker with a blaring horn section – the first indication their sonic palette was broadening…
Liquid Mind, aka Chuck Wild, is a Los Angeles-based musician specialising with slow, ethereal and atmospheric ambient music. Liquid Mind's music is calm, tranquil, serene. It is a beatless electronic ambient with a pinch of space music attached to it.
Unity (2000). The fourth in Liquid Mind's elegant electronic series of slow relaxation music albums takes many listeners to a place of deep calm and tranquility. This peaceful album may be used by parents to help quiet hyperactive children, to assist themselves in going back to sleep in the middle of a difficult night, to aid in general relaxation, or to relieve the stress of a busy day at a computer terminal…