9 11 2002

Red Sea is the second album by English hard rock band Warhorse. The CD reissue has six previously unreleased bonus tracks, including a live version of "Ritual" (a song from the first Warhorse album) and five demos of Nick Simper compositions that do not appear on the two Warhorse LPs. Warhorse were a band formed by former Deep Purple bassist Nick Simper. He had left Deep Purple in 1969 and joined Marsha Hunt's backup band. Not long after, Nick Simper replaced her backing band with Ged Peck on guitar and Mac Poole on drums. While this was going on, Simper would play in an extracurricular band along with Ged and Mac, with singer Ashley Holt.

We still have a great deal of evidence today about the ecclesiastical and diplomatic career of Don Paolo di Marco, abbot and tenorista at Florence in the early fifteenth century. But we also owe him a number of allegorical madrigals which are perhaps the most innovative, and certainly the most virtuosic of this period. Apparently innocent bucolic or mythological texts conceal philosophical intrigues, political ideas and moral precepts. Their poetry and music still speak intensely to us in the twenty-first century.

Tangerine Dream - Tangerine Tree (Vol.01-Vol.92) (2002-2004)
MP3 320 Kbps | Run Time: 71 hours 54 minutes | 19.5 GB
Genre: Traditional Electronic, Berlin School | Label: Tangerine Dream

Tangerine Tree was a fan project operating from 2002 through 2006 with the goal of collecting, preserving and distributing unreleased concerts and other audio material by the band Tangerine Dream.
For almost four decades, much of this material had been traded on an informal basis and many were sold as bootlegs. Much was unidentified, misidentified, low quality and/or a multiple generation copy. Tapes were starting to degrade, as many were as much as forty years old. In the late 1990s, several collectors created the Digital Tape Tree project and distributed the material on CD-R.

The title of Mompou's masterpiece Música callada comes from the Cántico Espiritual of the Spanish mystic, St John of the Cross, where the expression música callada (music without sound) is complemented by soledad sonora (solitude that clamours). The poet explains 'that music is without sound as far as natural senses and capacities are concerned' but 'solitude sounds out loud through spiritual capacities'. In spite of the apparent clarity of the metaphor, its sense for Mompou was 'difficult enough to explain in a language different from Spanish'. Beyond general understanding of these words, they seem to have a personal significance for the composer, only accessible through his music.

Tant au niveau des formes que des couleurs musicales, “L’Orchestre de Louis XIII” marque la transition entre deux grandes époques : la fin de la Renaissance et l’entrée dans le Baroque. Ces musiques de cour aux saveurs populaires, toujours imaginatives et colorées, sont à la recherche constante de souplesse et de grâce, de grandeur et d’élégance. Elles constituent les éléments caractéristiques du style typiquement français qui va rayonner à travers toute l’Europe jusqu’à la fin du XVIIIème siècle.

Sir Charles Mackerras has a reputation for providing exciting and full-blooded interpretations in Janáček and baroque music and this thrilling collection of Handel recordings dating from almost 50 years ago is a case in point.

Anton Fils, dessen kurzes Leben mit nur 27 Jahren im Jahr 1760 als Cellist der Hofkapelle in Mannheim endete. Schon Zeitgenossen wie Schubarth haben den frühen Tod dieses hochbegabten und einfallsreichen Komponisten bedauert. Zum Glück für die Nachwelt hinterließ Fils eine stattliche Anzahl sinfonischer Kompositionen: So ist zu hoffen, daß das L’Orfeo Barockorchester und das Label cpo dieser ersten CD noch einige folgen lassen, um den überlieferten Schatz von etwa dreißig Sinfonien dieses Meisters den Musikfreunden zugänglich zu machen.