90 Dance 24bit

Instead of settling down in front of the mixing board for another dance album (a lá Technique or Republic), New Order returned in 2001 with a sound and style they hadn't played with for over a decade.

Charles Lloyd Quartet - Journey Within (1967) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27107}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1967, 2012 Warner Japan / Atlantic / Rhino | WPCR-27107 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Saxophone

Features 24 bit digital remastering. Comes with a description. I love JOURNEY WITHIN. This recording will certainly be a love it or hate it thing for most people. My sister hates it, for instance. I love it!! This is Lloyd at his trippy-est, spacey-est, best. The title song takes me there, if you've ever been there, even when I'm straight!! I love the free improvization of it. For those historians of you out there, this allegedly is the first live recording ever released from the original Fillmore Auditorium. This and Lloyd's LOVE-IN album were both recorded there, allegedly, over several nights.

Red Rodney & Ira Sullivan - Spirit Within (1981) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27367}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 258 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 600 dpi (png) -> 160 Mb | 5% repair rar | 24-bit remaster
© 1981, 2013 Electra Musician / Asylum / Warner Japan / WEA / Rhino | WPCR-27367 | Jazz Best Collection 1000 Series
Jazz / Post Bop / Trumpet / Flugelhorn

Features 24 bit remastering and comes with a mini-description. Really beautiful work from the team of Red Rodney and Ira Sullivan – hardly the sort of stuff we might have heard from the players a decade or two before – and a sophisticated batch of tunes that has them stretching out in rich musical directions! There's little of the boppish roots of either player here – and instead, the album mostly features inspiring jazz compositions from Garry Dial – the pianist in the group, and a real genius with color, tone, and timing. Dial's tunes dominate most of the record, and they really set the group on a great footing – horn trading between Rodney's trumpet and Sullivan's soprano, flute, and flugelhorn – supported with complicated changes from the core rhythm trio.