A Tree IN The House

Happy Days - The Oldies Gold Collection Vol.1 - Vol.13 (2022)
MP3 320 Kbps | Run Time: 02:15:22:40 | 8.50 GB
Genre: Pop/Rock/R&B/Soul/Jazz | Label: In Vinyl We Trust

Gold sets from the Oldies collection.
The greatest hits of the 50's, 60's and 70's!

French stage actor Louis Ducreux makes his film debut as a 76-year-old traditionalist painter, Monsieur Ladmiral, in this bittersweet portrait of a brooding artist. A widower, Ladmiral lives on an estate in the countryside near Paris with only his housekeeper, Mercedes (Monique Chaumette), and his paintings to keep him company. The action of the film takes place on a bright autumn Sunday in the early 1900s when Ladmiral's son, Gonzague (Michel Aumont), and Gonzague's wife, Marie-Therese (Genevieve Mnich), come out from Paris with their three children to visit the old man. While making small talk with Gonzague, Ladmiral hints ever so subtly that his son has become too bourgeois, too conformist, too accepting of the status quo. Apparently, Ladmiral doesn't want his son to face what he is facing: self-recrimination for failing to take risks, failing to go beyond the bounds of tradition.

Remastered in 2016 by Steven Wilson. Up the Downstair feels noticeably different in tone from On the Sunday of Life - the humor is nearly invisible, if present at all, and the focus is more explicitly up to date in keeping with Steven Wilson's long-stated belief that progressive music means incorporating the now instead of rehashing what progressive was. His singing is now more accomplished in turn - it sounds like he might have been taking a lesson or two from his No-Man partner Tim Bowness, but he has his own dreamy approach. His already accomplished studio work seems to have turned even more so with time, and the end result is a delicate, complex, and remarkable effort…

House is a genre of electronic dance music characterized by a repetitive four on the floor beat and a tempo of 120 to 130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the 1980s, as DJs from the subculture began altering disco dance tracks to give them a more mechanical beat and deeper basslines.