A.y. Chao

Limited 2019 edition of Clandestino. The original album remastered for the first time; Originally released in 1998. Includes three new 2019 songs: "Bloody Bloody Border", "Roadies Rules", and "Clandestino" featuring Calypso Rose (2019 version).

The first solo album released by the former frontman of Mano Negra, Clandestino is an enchanting trip through Latin-flavored worldbeat rock, reliant on a potpourri of musical styles from traditional Latin and salsa to dub to rock & roll to French pop to experimental rock to techno…

The first solo album released by the former frontman of Mano Negra, Clandestino is an enchanting trip through Latin-flavored worldbeat rock, reliant on a potpourri of musical styles from traditional Latin and salsa to dub to rock 'n' roll to French pop to experimental rock to techno… Just about every track has odd sampled bits from what sound like pirate radio-station broadcasts (a possible link to the title). There are so many great ideas on this record that it's difficult to digest in one listen, but multiple plays reveal the great depth of Manu Chao's artistry.

Infusing rock fundamentals with elements of ska, reggae, punk, and Afro-pop since fronting Mano Negra ("Black Hand") in 1986, Chao's grown by continental leaps as a bandleader since then, as La Radiolina's mix of festival-rousing rock, defiant politics, and multilingual lyrics attests.

Manu Chao, figure majeure du rock français, est né à Paris en juin 1961, d’une mère basque et d’un père galicien. Si s’engager, c’est choisir son camp, le chanteur s’y dévoue depuis l’enfance à Boulogne-Billancourt, puis à Sèvres, passée à jouer au foot avec des fils d’ouvriers, des Portugais, des Arméniens, à écouter de la musique latino-américaine, « Hasta Siempre », Bob Marley, Chuck Berry, ainsi que les chants révolutionnaires espagnols. …

In 1957, the bop was a "Hot teen-age dance". Ray Conniff had been making waves with his new style of music for a couple of years. It's too bad that "DANCE TO THE BOP" didn't make it big when it was first released by COLUMBIA RECORDS, but this re-issue is better than I remember. This swingin' collection is still very danceable and it's obvious that Conniff got his inspiration from Country, Rock'n Roll and Rhythm and blues of the era. Ray's trombone is heard throughout the arrangements and he can be heard (on a couple of cuts) singing with his own playing. This effect produced a new and fascinating tonal color for the era that is still very vivid today. This CD also included Conniff "En Espanol". This album was recorded in Mexico in 1966. It's fun to hear "Days Of Wine And Roses" in Spanish. What sells this CD are the first 12 cuts. I recommend this CD highly to anyone that loved the early Conniff sound.
- By Ken Rogers-