Amped Warm up

Ultimate Plank Fitness contains the definitive Artists & Trance, Club, Dance, House, Dubstep. The Best hits from Robin Schulz, Lilly Wood & The Prick, David Guetta, Flo Rida, Nicki Minaj and many more.

The perfect "mwah" sound of a fretless bass, recorded using three channels: DI, plus two mics on a real amp! An unmistakable, buttery-smooth tone that works as beautifully for lead writing as it does for conventional bass lines, without the millimeter precision a live fretless requires. Shreddage 3 Fretless shines across genres: jazz, fusion, new-age and more.

Virtuosic, custom model 6-string electric guitar that excels with clean tones. Shreddage 3 Archtop (an upgraded Archtop: Hollowbody Electric Guitar) is a supremely versatile hollowbody 6-string electric guitar with a clear, warm tone and incredible realism. It’s perfectly suited for both clean and amped playing and shines in jazz, blues, R&B, funk, pop & more.

Virtuosic, custom model 6-string electric guitar that excels with clean tones. Shreddage 3 Archtop (an upgraded Archtop: Hollowbody Electric Guitar) is a supremely versatile hollowbody 6-string electric guitar with a clear, warm tone and incredible realism. It’s perfectly suited for both clean and amped playing and shines in jazz, blues, R&B, funk, pop & more.

The classic 5-string p-bass tone. Picked, fingered, and slapped. The most classic electric bass is at your fingertips! Recorded in impeccable detail with 5 flatwound strings and a warm analog signal path, Shreddage 3 Precision features fingered, picked, and slapped playing, plus a plethora of other core bass techniques. An incredibly versatile bass for any genre of music!

An old school drum machine with 21st century sampling techniques: round-robin samples, multi-channel sounds, generative sequencers.

The classic 5-string p-bass tone. Picked, fingered, and slapped. The most classic electric bass is at your fingertips! Recorded in impeccable detail with 5 flatwound strings and a warm analog signal path, Shreddage 3 Precision features fingered, picked, and slapped playing, plus a plethora of other core bass techniques. An incredibly versatile bass for any genre of music!

This trio, led by bassist Nathan Brown, demonstrates a commitment to the old values of ‘50s Modern Jazz. The Aesthetic is remarkably well-dialed in. Try the opening, Curley’s Revenge, on your friends. At least one will say “Grant Green.” Guitarist Felix Lemerle has an old-fashioned, minimally-amped sound on his warm hollow-body. He thinks his way deliberately through modest blues changes without undue bustle or striving for effect. He has a hard pick and prefers staccato attack throughout. On Bird’s Opening, Mr. Brown references the key moment in modern jazz history when Paul Chambers picked up his bow and made a case for the arco solo. Few critics have been forthcoming about how uneven this all-time great bassist sounds on such occasions. While the classical bassists know that the problem stems from lax notions of tonality, the audiences generally protest the caterwauling by instinct alone.

Let go. Fall in. Follow the spiral, and find your centre. Move and whirl, headbang and hair whip, into a place that is out there and deep within, an altered state where minds open, boundaries fall away and trust - in values, principles, ourselves - is rediscovered, made real.