Apocalypse

Nukes recovered from a sunken U.S. submarine have been planted in four largest cities of the world by a terrorist Jaffad Ben Zaydi. A code of fourteen numbers and a single phone call can trigger them any moment - this is the Apocalypse Code. An agent of the Russian FSB Darya Vyacheslavovna (Anastasya Zavorotnyuk) infiltrates the terrorist organization and vitnesses the killing of Jaffad, who at his last breath tells her that the code has been divided to three trusted persons. Jaffad’s partner “The Executioner” /Palach/ is determined to find them and trigger the nukes, so is Darya - to prevent it. They both begin their search for the code around the world, whereas one cannot harm another - they both have parts of it which the other doesn’t.

Italian grandmasters of orchestral death metal FLESHGOD APOCALYPSE are finding spontaneity rewarding on new album, »Veleno«. Over the past four albums - previous album, »King« (2016), floored fans and critics alike - the Francesco Paoli-led trio have planned every step, discussed every note, and ensured every salutation to Paganini, Bach, and Mozart was met with an equally brutal death metal equivalent. On »Veleno«, which is Italian for ‘venom,’ they needed a change of approach (and pace). To achieve this, FLESHGOD APOCALYPSE distanced themselves from distraction - line-up changes, tours, and the frustrations of day-to-day life - unboxed the songwriting process, and let the inspiration flow freely. On »Veleno«, they’ve matured, blended more efficiently their musical vision, and walked away with 11 songs that sound like a new band with an unsatiable prey drive.

Apocalypse Now is one of the great films. Photography, score, acting and direction are without flaw. Coppola never scaled such heights subsequently. It seems the sheer effort to produce such a work extinguished much of his creative spark. Stravinsky frightened himself with the awesome force of his Sacre Du Printemps, and changed directions after, never to match this achievement; Richard Strauss fled into Neo-romanticism after writing the disturbing Elektra and Salome, unable to equal their innovation and power. But these seminal works (Le Sacre, Salome, Elektra, Apocalypse Now) remain as peaks of Art. Like the great classics of literature, each viewing of this film reveals deeper levels of meaning. It's stupid to even apply an arbitrary rating to this work. It would be like writing, "Brothers Karamazov gets 5 out of 5." It cannot be rated.

A gigantic meteors enters Earth's orbit and begins to disintegrate, showering the entire planet with debris.

LACUNA COIL’s new live album, Live from the Apocalypse, is the fruit of an unprecedented time. Unlike previous live efforts—'Visual Karma (Body, Mind and Soul)' (2008), 'Shallow Live: Acoustic at Criminal Records' (2010), and 'The 119 Show - Live in London' (2018)—the Italians, under the yoke of the pandemic, cleverly devised a way for their devoted fanbase to hear and see them on stage by organizing a special live stream event performing their latest album, 'Black Anima', in September 2020.

Lacuna Coil's new live album, Live from the Apocalypse, is the result of an unprecedented time. Unlike previous live albums - Visual Karma (Body, Mind and Soul) (2008), Shallow Live: Acoustic at Criminal Records (2010) and The 119 Show - Live in London (2018) - the Italians, under the yoke of the pandemic, have found a clever way for their loyal fanbase to hear and see them on stage by organising a special live stream event where they performed their latest album Black Anima in September 2020

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