Aren't You Gonna Die Someday?

John Fahey - Your Past Comes Back To Haunt You: The Fonotone Years 1958-1965 (2011) {5CD Set, Dust-to-Digital DTD-21}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.25 Gb | MP3 @320 -> 818 Mb | Artwork | 5% repair rar
© 1958-65, 2011 Dust-to-Digital / Revenant | DTD-21
Finger-Picked Guitar / Contemporary Folk / Folk Jazz / Folk-Blues / Progressive Folk

As with all histories, context and an appreciation for the times are essential. In 1958, when the earliest of these recordings were made there were probably no more than a handful of reissues of pre-war country blues 78s available on record in the United States. The long-playing 33 1/3 record was, itself, only a recent invention. Today, with hundreds, perhaps thousands, of pre-war blues and hillbilly reissues available and in print, when it’s possible to walk into any halfway decent record store (to the extent record stores, halfway decent or otherwise, still exist) and find the complete recordings of Charley Patton or Blind Willie Johnson, it may be difficult to comprehend just how obscure and how otherworldly this music once was. — Glenn Jones, from the Introduction toYour Past Comes Back to Haunt You.

2008 eight CD box set. Cherry Red Records marks it's 30th Anniversary in style with this lavish 185 track boxset. I'll Give You My Heart chronologically plots 61 single/EP a and B-sides from 1978 to 1983. Features 24 tracks from the U.K. Top 50 Indie chart including 12 Top 20 and two #1 hits. Includes cuts from Dead Kennedys, the Monochrome Set, Eyeless in Gaza, the Runaways, Marc Bolan, Everything But the Girl, Robert Wyatt and many more. A comprehensive 78 page booklet plots the story of Cherry Red Records and details many rare 7" and 12" picture sleeves. Features extensive interviews conducted by Alex Ogg with 'fly-on-the-wall' accounts from label founders and band members. Cherry Red.

This 7T's two-fer combines two albums Mud released at the tail-end of their career – 1978's Rock On and 1979's As You Like It, adding a couple of bonus tracks for good measure. Mud's prime didn't last long, and these two records definitely arrived outside of it, just as the glitter fad was winding down, much to the blissful ignorance of Mud, who tried to carry on as if nothing had changed. This is the most painful on Rock On, where the oldies covers – "Walk Right Back," "Cut Across Shorty" – are silly and anemic, where they're paired with oddities like the mock-reggae of "Slow Talking Boy," a spangly overhaul of "Drift Away," and the turgid ballad "Too Much of Nothing."