Mussorgsky's "Pictures at an Exhibition" was inspired by a visit in early 1874 to a posthumous art exhibit of canvases by the talented artist and architect Victor Hartman who had been a close friend of the composer. Vocal cycles "Sunless" and "Songs & Dances of Death* on words by A. Golenishchev-Kutuzov were written by Mussorgsky in the middle of the 70s. "Songs & Dances of Death" — is the way the composer addresses the eternal human problems. "Golitsyn Train" is a picturesque symphonic episode from Act IV where the disgraced Prince Golitsyn is sent to an exile. The score of "Solemn March" (Capture of Kars) was completed on February 3, 1880 and soon performed at one of the concerts of the Russian Musical Society.
David Gilmour's two concerts assembled for Live at Pompeii mark the first time that the amphitheater has hosted a rock gig since Pink Floyd played there in 1971. They didn't play for an audience, however, they were filmed for Adrian Maben's documentary Pink Floyd: Live at Pompeii. Gilmour's gigs – some 45 years after Floyd – bests their gig historically: It hosted a paying audience assembled from all over the globe, and it was the first time an audience had occupied the site since 79 AD. This double-disc set is the movie's soundtrack. Pompeii was just one of the historic sites Gilmour played on the tour, others included amphitheaters in Verona and Nîmes, Circus Maximus in Rome, a chateau in Chantilly, and five nights at London's Royal Albert Hall, none of which held quite the weight of history like this one.
Andy Shernoff of the Dictators once wrote a song called "Who Will Save Rock and Roll?," which featured the memorable verse "June first, '67/Something died and went to heaven/I wish Sgt. Pepper never taught the band to play." Maybe Shernoff was going a bit far to make a point, but the unfortunate truth is that once the Beatles released their magnum opus, it would be many years before an album that was simply a collection of great songs would seem to be enough in the eyes of the rock cognoscenti. Seemingly every act of any significance during the late '60s made a high-gloss concept album, and Chad & Jeremy were no exception; while they had a sure knack for smart and subtle folk-influenced pop with outstanding harmonies, the times demanded more of them, and in 1967 they released their response to the Sgt. Pepper's phenomenon, Of Cabbages and Kings.